Topic: Universal Audio

The hosts critique the Windows 10 File Explorer for its tendency to automatically optimize folders for specific media types, which disrupts file management. Technical details are shared regarding a new hardware setup featuring a Mark of the Unicorn (MOTU) audio interface. This device provides digital signal processing for EQ and compression, replacing a more expensive Universal Audio setup that required complex Thunderbolt adapters.

The transition from laptop-based recording to professional-grade hardware is detailed, specifically the adoption of Universal Audio devices. This shift in technology reduced latency issues and moved the show toward a higher standard of audio fidelity. The hosts discuss how improved gear changed their attitude toward production, fostering a more perfectionist approach to the broadcast.

In response to a $525.25 donation from Charles Couch, John Dvorak provides an update on "The Vinegar Book," focusing on avoiding toxic cellulose-producing bacteria. Adam Curry shares his skepticism regarding cyber-currencies as actual money. Technical details regarding Curry's voice-changing equipment, including the Eventide Harmonizer and a Toysmith megaphone, are disclosed.

The hosts criticize the build quality of modern Airstream trailers, comparing the interior workmanship unfavorably to FEMA trailers and noting a lack of attention to detail. The discussion shifts to the technical difficulty of configuring "flex routing" on Universal Audio AD converters for remote broadcasting. They contrast modern plastic construction with the perceived durability of 1940s-era manufacturing.

Reviewing older episodes, the hosts cringe at their past linguistic habits, such as the frequent use of "fact of the matter" and "at the end of the day." They also discuss the significant improvement in audio quality since 2010, moving from high-latency Skype calls with frequent dropouts to a sophisticated real-time digital plugin system. Curry notes his transition from portable digital setups to high-end outboard gear to achieve a professional sound.

Adam Curry broadcasts from Jackson Hole, Wyoming, while traveling in an Airstream trailer on the "I Love Laundry Tour." Technical difficulties involving a failed power inverter and low battery voltage forced the use of a running car engine as a makeshift generator. Curry also addresses audio glitches from the previous episode caused by a software crash and corrupted recording files.

A detailed account of a technical failure involving the Universal Audio Apollo Twin audio interface follows a software update. Despite rules against installing updates before a show, the installer began modifying drivers automatically after a Firefox download. The resulting interface changes and routing issues caused a significant delay in the broadcast, eventually requiring a firmware downgrade to restore functionality.

Adam Curry discusses his audio engineering setup using Universal Audio hardware and the potential for creating custom plugins. A producer from Calgary, Alberta, reports that PayPal has permanently blocked his account, preventing further monthly contributions. The hosts express frustration with the volatility of donation platforms.

Don Tommaso DiToronto and Sir Weir of the Hidden Jewel contribute to the show, leading to a discussion about creating "No Agenda" branded audio plugins with Universal Audio. The segment includes a long, satirical "Club 33" jingle and a performance of the "Mac and Cheese Life" song, mocking economic hardship and government dependency.

Adam Curry provides technical details on the show's audio production. He uses an Apollo Twin interface with UAD-2 plugins, specifically the API Vision Channel Strip and the Neve 88RS. He explains how these tools create the show's distinct "flat" waveform and professional sound signature.

Adam Curry describes the process of setting up his new recording studio in Austin, which he has dubbed the South Austin Safehouse. He details the acoustic challenges of the new space and his efforts to simplify his technical setup using Universal Audio equipment.

The development of an "Ultimate Podcaster" hardware device has been delayed in favor of finding a more professional, high-quality solution. The goal is to collaborate with companies like Universal Audio to create a pre-configured package for modern Macintosh laptops. This approach is deemed more practical than selling custom hardware, which involves significant logistical challenges.

The discussion shifts to technical audio setups, specifically the use of Universal Audio hardware and digital plugins that emulate classic outboard gear like the Neve RV88. A preference for "live-to-tape" recording is emphasized, contrasting it with podcasters who spend hours in post-production. The setup now allows for a complete mobile studio consisting of a single laptop and a small audio interface with zero-latency monitoring.

The hosts open the program from Austin, Texas, and Northern Silicon Valley, noting a recent illness and the debut of a new portable recording rig. This cutting-edge setup features a Universal Audio duo-core interface, a MacBook Air running OS X Mavericks, and a MIDI-controlled mixer designed to replace a massive analog rack. Despite the investment, the recording is plagued by system freezes and software instability during its first live trial.