Episode 984 · Sunday, 26 November 2017

Show X

From 2007 London beginnings to a global media deconstruction movement, this definitive guide explores the technical evolution and unique philosophy of the No Agenda show.

By The No Agenda Show | 2h 21m listen | 34 chapters
Show X cover
The No Agenda Show · No. 984

About this episode

Abraham Lincoln formally established Thanksgiving during the Civil War to honor fallen soldiers, a far cry from the modern mythology of the 1621 Plymouth feast. This special retrospective features the origins of the No Agenda podcast, tracing its 2007 beginnings in Guilford, England, and the first 1990s meeting of the hosts during a CNET roundtable pilot. The narrative deconstructs how a simple 40-minute phone call between friends evolved into a twice-weekly media deconstruction powerhouse.

Former NPR CEO Vivian Schiller admitted that corporate underwriting functions as advertising, a revelation that fueled the show's transition to a Value for Value model. The broadcast details the 2009 wildcat strikes against Gordon Brown, the Lois Lerner IRS email scandal, and the development of the M5M terminology. Technical milestones include the shift from 3G dongles to Universal Audio hardware, the use of the Audio Rack Suite for real-time MIDI clip triggering, and the infrastructure support provided by Mark at Void Zero and OVH servers.

Studio rituals like singing Ride of the Valkyries and shouting Cinco de Mayo prepare the hosts for their three-hour live execution. The segment features the origins of the hitting people in the mouth catchphrase from Mike Singletary and the Spike Jones influence of physical noisemakers like slide whistles and kazoos. Listeners are introduced to the Peerage system, where Knighthoods and Executive Producer titles replace traditional subscription models to maintain creative independence.


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CHAPTER 01 / 34 Discussion

Thanksgiving Origins, Civil War History, and Canadian Traditions

The true history of Thanksgiving is contrasted against modern mythology, noting that the holiday was formally initiated by Abraham Lincoln during the Civil War to honor dead soldiers rather than being a continuous tradition from the 1700s. The narrative of Puritans and Native Americans dining together is described as a later re-engineering of history. The discussion briefly touches on Canadian Thanksgiving, noting its earlier date in October.

thanksgiving· abraham lincoln· civil war· harvest festival· canada· puritans

00:00 Well, hey, my voice is too fast. Appropriating the native culture of corn and broadcasting live from downtown Austin, Tejas, Capital of the Drone Star State, in the Cluedio, In the Morning, everybody. I'm Adam Curry. And from Northern Silicon Valley where it's a beautiful Thanksgiving day, the sun is shining, the turkeys are roaming around the neighborhood. It's unbelievable. I'm John C. Dvorak. It's Crackpot and Buzzkill. In the Morning. Ah, those Berkeley turkeys.

00:39 There's turkeys all over the place. Happy Thanksgiving everybody! We should be shooting them. They won't let us. Can't shoot the turkeys. Happy Thanksgiving John. Happy Thanksgiving to you and happy Thanksgiving to everybody out there. So this is... and... yes? We should reveal that this is a pre-recorded show. Yeah, I actually realized when I said broadcasting live like, it's not entirely true. Well you were live to tape. I'm live. I'm a living, I'm a live guy. That's for sure. Because, no, we're taking Thanksgiving and the day after off because nobody listens to the show on Thanksgiving. Although if they do, they're going to get a good show anyway. Yes. And they're not going to get a live show. And what they will get, as is almost customary on the No Agenda show, is an explanation of the true story of Thanksgiving.

01:33 I wasn't planning on it. Oh, you always do the story. It's like the night before Christmas book How can we have a show on Thanksgiving without you telling us the true nature of Thanksgiving? Well, I'll do the short version. Okay, ready? Yeah, it's bullshit. Oh Man, it's all the corn and and the stuffing and the turkey and they never really happened that way. Oh No, there was a couple of holidays. This is very carefully outlined on my blog. You can look up Thanksgiving Truths, which is Thanksgiving on the blog. And all the stories are there. There's two posts that discuss this. And Thanksgiving was, you know, there was a harvest festival, these different things that took place in the 16 and 1700s. But Thanksgiving really became kind of an official thing during the Civil War. And it was Thanksgiving for, you know, the thanking, you know, kind of celebrating the dead.

02:27 soldiers more than anything, and we give Thanksgiving for being alive more or less. Lincoln initiated it, then it became a national holiday over time. But it all really stemmed from these thanksgivings that were proclaimed every so often throughout American history. And the one Lincoln did seems to be the one that stuck. And so they worked it out and then they re-engineered it over time to make it seem it was something where the Indians and the Puritans, whoever, the people that were living around the 1700s in the United States, were having these yearly dinners together as if it were just like, you know,

03:08 Yeah, kind of like on the Upper East Side Manhattan. Oh, yeah, Buffy. This wasn't happening. So wait a minute. If our Thanksgiving's bullcrap, is the Canadian Thanksgiving also bullcrap? Of course it is. It's just a different date. There's this, uh, the first of November. So they, they made bull crap out of bull crap. That's even worse. You know, we didn't even celebrate the Canadian Thanksgiving on the show, which I think we missed it. Is it before ours? How can that even be? How can that be? I don't get it. It's on the first. We're number one in everything. They had to pull the rug out from under us. So they did earlier. Oh, okay. All right then.

CHAPTER 02 / 34 Discussion

No Agenda Show Origins, 2007 London Beginnings, and Early Meetings

The hosts recount the 2007 origins of the podcast, beginning when one host lived in Guilford, England, and traveled frequently to San Francisco. They reflect on their first meeting in the early 1990s during a CNET roundtable pilot and the registration of the CNET.com domain. The segment establishes the purpose of this special "Show X" as a definitive introductory episode for new listeners.

adam curry· john c. dvorak· guilford· san francisco· cnet· podshow

03:46 So this show yes, this is a special show we're naming it show X because it's going to replace all the 200 episodes 200 point one or two hundred point five yeah two hundred point six two hundred point seven two hundred point eight this would have been two hundred point nine I believe yeah, but our onion our onion was kind of rotten we did have a producer say you know I just started this show like around 500 and this onion approach you have toward the show 200 is not working for me. And I started thinking about it. It's kind of lame. So we're just doing one from scratch. I do have some clips from the earlier shows. Ah, very good. Very good. To help, because there's about two or three things that are better explained. And what is the point of this show for people who are new, who have not listened to the 200 series?

04:36 Yes, the point is that and the point is, you know, we all we need an introductory show. So why does this show exist? What are we doing with the show? How did it get started? How did it get to here? Right. And I think the show should answer all those questions. Plus answering the Thanksgiving question. All right. So do we want to just start with how we got to how the show started? A lot of people don't know. I do have a couple of things here that kind of will ease us into this. Well, let me first let me set the stage a little bit. Where it was end of 2007 I was living in Guilford in the Gitmo Nation GMT which is south of London and I was traveling back and forth between London and San Francisco for It was probably still pod show at the time. I believe it was it initially yes, and so I'd be in It became media shortly after I got there okay, well so

05:34 Would be in San Francisco for about two weeks at a time It was really it was actually pretty rough going back and forth two weeks away from home And then you know then back for two three weeks, and then back again It was although I did get a lot of cool gifts from Sir Richard Branson. I got the bathrobe I got everything You know and after I stopped traveling that much it about two months, and then you are now at plastic level you get nothing F you slave. Well, I was like the top, I was in the top level of Virgin Atlantic of the loyalty program. Oh, of course I was flying. They'd be giving you a foot massage every time you came near the point. Pretty much, but then once I stopped that, that went away real quick. Oh, I see. Yeah. Oh yeah. That stopped real quick. Yeah. What good are you to me now? Exactly.

06:26 So how did we meet? Did we meet on a podcast or I was on the Skype maybe? I don't remember. We actually had talked about this well enough that I clipped it from the show, the early show. So we could just listen to the, how did you meet? And this is an enhanced version from 2010. Where we actually first met for the very first time although I think that was in 1993 three or four maybe I think was three yeah, and I and I'm gonna get one of those VHS to DVR thingies to transcode all of this stuff, but this was when CNET did not have a website in fact I registered CNET.com and

07:21 and said to Halsey Minor, hey dude, you know, I'll do your email if you want, you know, you might want to have a web thing that I think that would be more appropriate for what you're doing here, but alright, I'll- and you were doing kind of a McLaughlin group type roundtable as the pilot for that show. Wow, the sound quality is outrageous! Oh, I got better ones than that. Oh my goodness. Now, I have to say that, of course, I know how stuff should sound, but the idea was, my idea behind, you know, podcasting was not only do we have our own little transmitter, which is basically your podcast feed, and your MP3 file, but also you should be able to do it on your laptop. You should be able to do it on reasonably, you know, medium to higher end prosumer equipment that should be possible. And I was always out to prove it, and this was not a good example of it. It sounds like I have an echo even. I have a better example. This is when the period, because you kept telling me over the, probably over the years, you were complaining to me that you were baked.

08:24 Oh yeah, well I was in England. And my comment back to you most recently was, well you didn't sound it, you know, even though you could have been stone, it didn't sound like it, that's my recollection. And you never did sound it, but your attitude has changed. I didn't realize it. Oh, for example, and you just bitched about the sound, which leads me to a different clip. This is a clip when Obama got elected that night. This is a clip of the show, the beginning of the show. And this is the clip 11-5-2007. Obama just got elected, we started doing a show. This is something you would not do today. You would not allow. And you feel this is appropriate to rebroadcast?

CHAPTER 03 / 34 Discussion

Obama Election Night 2008, Early Audio Glitches, and Connectivity Struggles

A clip from the November 2008 election night highlights the show's early technical difficulties, featuring a distorted "Darth Vader" voice effect caused by poor connectivity. The hosts recall the struggle of broadcasting from the United Kingdom using early 3G dongles and unreliable internet connections. The segment illustrates the evolution of the show's production standards from its "mediocre" beginnings.

barack obama· 2008 election· skype· 3g dongle· guilford· audio quality

09:08 It's only because it's funny. Which means it's time for No Agenda, coming to you from a very exhilarated and excited morning here in the United Kingdom. Gitmo Nation East. I'm Adam Curry. I'm John C. Dvorak and I, for one, welcome our new Obama overlord. Hold on a second. What is going on there?

09:46 What happened probably didn't remember but this this was one of those we used to have these moments and I forgot about him where they always Yeah, I remember it speeding up a lot. I don't remember a lot of a lot of slowing down That's pretty outrageous. It's horrible. And but here it is This is when this is back in the day and your attitude about this is not what it is anymore It's one of the things we thematically we'll talk about today, which is that how the show naturally evolved And I would listen to a lot of old shows to put this together, and I realized that this show wasn't any good until show 100. For one, welcome our new Obama overlord.

10:25 Do you have a voice processor on your your setup Joe? What's going on? What were you getting breaking up? No? It's no it's when you said it sounds like it's on you have like a date for a date a Darth Vader voice Oh, yes, well, it's a midnight. You know sorry no. No this is not your normal voice. This is messed up I Kind of like it though do this do this Obama you are my president Obama, you are my president. This is great, we'll leave this throughout the whole show. I don't know what it is, but it sounds wacky. Hey John, congratulations! We have a new president! Well, you know, the funny thing is, they're protesting. You didn't get to watch all this because you were sleeping, but they were protesting. I mean, there was a big gathering outside of the White House.

11:14 And yeah, and they were singing like you know that song hey, hey, goodbye, da da da And they were also signs saying you know evict Bush now Well, he pretty much got his notice didn't he isn't it like this means he's out. Oh Well, the thing is, you know, a lot of people were saying, you know, like the last couple of days and there's some rumors going around that Bush was going to declare martial law and he's going to do this and he's going to do that. I was cracking up every time I heard one of those concepts because the way I'm seeing it and the information that we're already hearing about, Bush wants to get out of there tomorrow. These days, it's actually a feature when we want to sound like this.

12:01 So that would be something that shows how the quality of the sound has improved over the years because you didn't care Let it go. There's nothing we could do back in the day. Yeah, well we could have reconnected We could have tried something you know we always tried to reconnect if it sounds like crap. That's true Well, there was no attempt to reconnect or is no attempt to do anything It was just like that the whole show if I recall if I recall correctly a little out now. This is this is a Minor point I remember that I was in Guilford and and it took like six months to get an internet connection Which I think was maybe well when you you move from Guilford you left Guilford you went to Amsterdam before before that

12:49 I was actually using it well in Amsterdam you talked about this problem, and then you because I brought up the Apparently virgin net or something had some deal. They were trying to do yeah, but what I recall ultimately doing is I had a was it Hsp di whatever dongle which was you know kind of the whoo before before 3g even I think, or maybe that was 3G in the UK. And I had to position it in a certain spot so we would get the right connection and the whole show ran on that. It's like an emergency situation if we, you know, doing something from a hotel room that works pretty well. Technology has been our friend over the years. There's no doubt about that. It has helped extremely to be able to just to do the show. Yes, I agree.

CHAPTER 04 / 34 Discussion

Audio Equipment Evolution, Universal Audio, and Production Perfectionism

The transition from laptop-based recording to professional-grade hardware is detailed, specifically the adoption of Universal Audio devices. This shift in technology reduced latency issues and moved the show toward a higher standard of audio fidelity. The hosts discuss how improved gear changed their attitude toward production, fostering a more perfectionist approach to the broadcast.

universal audio· audio rack suite· latency· sound quality· podcast gear

13:39 And so, anyways, but that had changed. That's changed a lot. In fact, it turns out we talk about this a little bit on Show 200, where that's when I believe you got all your, you got geared up. I don't know if you have that fancy device that you have now, but you got a whole bunch of new gear at Show 200. Do you have a clip of that? Because I have no idea what I had. I think so. Because it was just like, hey, we got a bunch of new gear. I do have the opening of Show 200 somewhere. Don't know why it's a deuce opener right okay, deuce open. Let's see maybe I can tell you what gear It was just from listening to the sound they opened fire first public safety. It's a friggin deer Adam Curry John C. DeVore a time period Kimo Nation media assassination episode 200

14:32 This is no agenda. Yes, celebrating 200 episodes of Mediocrity and coming to you from the hilltop watchtower, Crockpot Command Center in Goodwill Nation West in the People's Republic of Southern California. In the morning to y'all, I'm Adam Curry. I think not regarding Mediocrity. This is number 200 from Northern Silicon Valley. I'm John C. DuPlet. It's Crackpot and Buzzkill! In the morning! I just wanted to see if I could throw you off guard. Well, you can always throw me off guard. In the morning to you, my friend. And in the morning to everybody listening. Yes, and congratulations, John. Because you have new gear. Well, yeah. No, congratulations on 200 episodes! Yes, I think it's pretty amazing. I think it's a feat. Now...

15:18 Again with the echo, is that something from the clips or is that exactly how it came off the show? What it sounded like. Huh. I remember this period because I was in Los Angeles. And I think this is when I started using everything on the laptop. I like the setup a lot because it had onboard processing but There was a slight delay in my headphones when I was speaking Right you did that was for years recently. I guess years. I did this that would drive me nuts It was not easy, but you get used to it after a while though

15:55 And then when you take the headphones off, then you can't, then you sound like a moron. My voice is too fast. Well, one of the things we did on the original show 200 and we'll get I think back on this track which is we took questions and we answered a bunch of questions. Yeah, that's where we got the you know, where'd you two guys meet and when you start the show and then we had a big discussed it in as much detail. It was a I would say that the 200 shows having re-listened to them. They're terrible. And this one's just too much better from scratch. It'll be a new kind of terrible. Yeah. Well, at least it'll sound good.

16:33 Yeah, well, everything sounds good now. So the sound, I will say whenever that happened, I think it was, I guess it was in Texas. Yeah, it must have been in Texas when I got the universal audio device. And that really changed everything. That changed my world. It changed your attitude. Yeah, now I want to be perfect every time. Sure. Yeah, it changed your attitude. You have a you're more of a perfectionist. But let's listen to this. This time we didn't put on the original show 200. Let's listen to the one of the things I've noticed about their early shows is there's latency to the to an extreme. I don't know why anybody listened to the show, but let's listen to the opening of the first show. Oh, OK, hold on.

CHAPTER 05 / 34 Discussion

First Episode Retrospective, 40-Minute Length Goal, and Early Format

Reflecting on the very first episode from August 2007, the hosts recall their initial plan to keep the show under 40 minutes with only a few topics. The original format was envisioned as a simple conversation between friends, similar to a phone call, before it evolved into the current clip-heavy analysis style. They note the significant increase in bandwidth and processing speed since the show's inception.

podshow network· no agenda· episode 1· show length· news analysis

17:17 opening of first show. Do we have a date on this? I guess I mentioned it in the opening or not. Yeah, it was the 9 or 8, 26, I think. Yeah, 2007. Welcome everybody to a brand new program on the Podshow Network, which could be titled a number of things. We chose no agenda. But it could be the show with no imaging, no content yet. The only thing it is is two guys with an idea of putting together a... What should we call it, John? A... A genderless show. A genderless show, exactly. John C. Dvorak in California, Adam Curry here in London. Something we cooked up... What was it? Like a four-minute phone call. Hey, we should do a show together. Okay.

18:03 Let's call it no agenda. Okay, and here we are. Well, of course the basis for a show like this, and I think everybody out there who's ever had a con... who has conversations with friends... They occasionally especially when the conversations go on and on stage, you know That would have been an interesting thing for other people to listen to true true And and I think basically and I've actually doing a show with my wife because sometimes she does a news analysis over the phone Sometimes it's pretty pretty astonishing. Have you ever heard the shows I do with Patricia with my wife? Yeah Yeah, same kind of thing. It's great right? We just have a conversation, yeah. Right, I think to some extent Don and Drew and almost everybody who'd like to chat pretty much provides this kind of entertainment. Wow, this is before I figured out the wonderment of the noise gate.

18:57 Well, there's that and I also lied because I never heard your show and you caught me. Oh, no, I knew that I Almost wanted to stop the clip and say just so full of crap. I was full of crap But that's not you know when you're doing this sort of thing You have to be full of crap to keep it moving just to keep it moving along baby. Yeah, and So the show was begun as a lark. Well, the idea was just a conversation. Okay. And which of course it turns out that that's not what we do best. What we do best is clips and analysis and stuff like that. The conversation is, yeah, it's kind of interesting. We have some letters. I'm going to start reading some of these questions in a minute. And a lot of it is like, again, it's talking about restaurants, review restaurants again, and all this stuff we used to do.

19:39 In this first show, though, I want to get this out of the way. This clip is called the first discussion of show length, which by the way will amuse anyone who listened to the seven and a half hour show. No agenda. No agenda. Yeah, three, four topics sounds about right. Maybe if we do it once a week, it might work out. Yeah, I think that's a good idea. we can sustain this length because sometimes, I mean, the interview you had with Dr. Ron was worth discussing for a while. Yeah, true. Okay, so we'll see. But I would say I agree, this is maybe a little bit on the long side, but just under, you know, 40 minutes is pretty much the max, I think. Yeah, I agree. Alert the affiliates, we're short. 40 minutes.

20:25 Wow, that's just a clip off at the end of our show these days. What you got man? I got 40 minutes of clips left over. But again, I have to say a lot of this is down to technology. Just bandwidth alone to be able... I remember clipping stuff from the webs. It took forever. You click, you wait. I mean, it took hours longer than it does today. And even though, you know, now I have a whole system. We didn't do long, many clips. I remember the first few shows. Four clips from me, you know, three from you, four from you, three from me. It wasn't a lot.

CHAPTER 06 / 34 Discussion

Unrehearsed Content Strategy, Audio Rack Suite, and Radio Production

The show's production philosophy emphasizes unrehearsed reactions to maintain tension and authenticity, avoiding the "flummoxed guest" tropes of mainstream talk shows. Technical execution relies on the Audio Rack Suite software, allowing for real-time clip triggering via MIDI. The hosts compare their "old school" manual radio style to modern automated DJ playlists.

audio rack suite· open source· midi· radio production· improvisation

21:04 I do remember when I got one of my clips that I do have this clip which is this is the first mention of a clip and the style in which we we execute the clips. I received in my email this morning several sound clips which John has apparently he's got some form of an agenda today and has prepared something and the note said for the show please don't listen. So I did not. Oh yeah. And that really started Well, we have a theory which is based on broadcast experience that if you rehearse something or if you set something up or if you agree, okay, we're going to talk about this or we're going to, you know, oh, worse, here's your punchline.

21:50 It always sucks. It sucks every...on mainstream, I mean, you see it in talk shows, you know, where the guest is flummoxed and then the host says, well, wasn't there something about your dog that you want to talk about? You know, they have to coax the idiots along. And we found that...I think throughout the years, we continuously try to set up something and we try a bit from time to time. Pretty much no... The only bits that work are the ones that we had live from scratch. Yes. Exactly and and all media would be so much better if it was well you can't television a little more difficult but it would just be so much more better and and Really from a production standpoint once I got this piece of software called audio rack suite Which is an open source?

22:34 piece of gear that a couple of radio guys put together years ago and they've they kind of stopped developing it because it was done there's nothing left to do so hopefully if a new Mac OS comes out and we're all forced to upgrade I can use it but what's great about it is it's just dragged from a file from a finder you just drag in these clips and you know, through through MIDI, it opens up a fader. It's very, it's much easier for me to just immediately click and go. You say something, I look at the misspellings on your clip list. I figure out what you're talking about. I drag it in, click go. And that's how, because I have no idea what these clips are today even. It's really technology that has helped. I will, I have to say that. Well, you're also outrageously talented at working that system that you designed for yourself. You know what's interesting?

23:22 Because I've been looking, you know, I've been talking about transitioning to Windows and I've been looking for a similar system. And, you know, disc jockeys today, they don't do crap, they don't do any work anymore. They don't have to select anything and put it into a player or, you know, like, well, gee, back in the day we had the songs on a cart. And, you know, big magnetic... and the cart goes in and you start the cart. Yeah, these days they got a playlist. They're pretty much tracking ahead of time. They record their voice bit, they schedule it in, they go, you know, sit on a groupie for a while. And it's very hard to get old school technology for making radio is the way I still see what we're doing. Yeah, I agree. Yeah, it's the end of an era. It truly is. It truly is. So we had the we played the original opening. I have opening the first show I had.

CHAPTER 07 / 34 Discussion

Family Guy Influence, Weenie and the Butt, and Morning Zoo Mockery

The adoption of the "In the Morning" catchphrase and the use of jingles originated as a mockery of the "Morning Zoo" radio format, triggered by a Family Guy episode featuring "Weenie and the Butt." While the show initially avoided imaging, these elements were eventually integrated to improve pacing and provide "rim shots" for humor. Sir Jeff Smith is credited with providing many of the early iconic jingles.

family guy· weenie and the butt· morning zoo· jingles· jeff smith

24:17 Here's the well, let's go into the when when I think the show really got good is when we gave up on our Idealism of no jingles no nothing was it really idealism or I think well, you know, okay, you're right. It was a format I think we were trying to figure out the format and we started with it We just all just talk and we'll have a little conversation and then you know I think both of us felt like it's missing a lot and But you have apparently some moment in time when we first started doing this? I have a number of clips that kind of relate to that, but first I want to get to what triggered our deciding to do a mockery of radio itself.

24:59 Which is the weenie in the butt clips. Yeah. And so I have them. I took them, this is from show 200. I took these three clips out of that show. So we hear them again, this explanation. You can start with, I got three. There's Origins clip, weenie in the butt in context. We would open the show, the show that has no jingles, no sound effects, no agenda. And you handed me a copy of The Family Guy. with the episode Weenie and the Butt. And that really got the j- because again, we're both radio freaks and we figured this would just be funny to do and it kind of stuck. And I think that it'll be fun- that's also where In the Morning came from by the way. And it's such a take off on the Morning Zoo format and which we both, I would say love and hate at the same time. Loathe of course now, it's just so old fashioned.

25:53 But when you listen to this, you can understand why radio guys get off on Weenie and the Butt. It's about two minutes, this. Oh, that's the Hulu... the Hulu pre-roll. Watch your favorites anytime for free. Hulu. Hey everybody, it's Weenie and the Butt here live at the Quahog Airshow. We're all ready for the Weenie Sound-A-Like contest. I don't know, Butt. I don't think they can say my catchphrase because they no funny. Oh, there it is! And if you think you can say that just like Weenie here, you could win $97.1 for the cool weekend ahead. Weenie have a butt! Weenie have a butt! Cool weekends in the morning, 97.1 FM. Cool weekends in the morning with Weenie and the butt. Capital H-T, 97.1. 97.1!

26:40 Wee-wee-wee-wee and the butt! In the morning to weekends! Yeah, they're having... Wee-dee! Wee-dee! And the butt! And welcome back! Uh, excuse me, I-I gotta find a lost kid. Can I use your mic? That's what she said! Whoa! You got butt-slammed! Ho-ho-ho-ho! Listen, I could really use a hand here. That's what he said! Butt-slam! That's Manic Monkey on 97.1! Cool, weekends in the morning! Oh, weekend long! In the morning, in the morning, on the radio!

27:16 Give me that Stewie Griffin. Will you please report to the radio booth Stewie Griffin? Hey, that's quite a voice You've got there you ever think about doing radio? Well, I listen to a lot of radio Peter and Lois leave the radio on when they go out. So I feel like somebody's home Well, here's my card. Call me if you're interested. Hey, okay. We've got our first contestant. Let's hear weenies catchphrase Dan O'Farney I think we have a wiener! And that's Dicky the Punchline Donkey on 97.1! Sadly, I've done many programs for real like that.

28:14 Yes In fact on the on the original show you went on and actually did a number of them Maybe maybe in the second clip. Let's play the second clip okay, so we kind of decided We didn't decide it just happened most of the show by the way for people you know to ask all these questions It's really an evolution. Yeah, there's no we don't have meetings. We don't read No, we in fact that's if there's a rule that We generally agree not to talk about what we're going to talk about because we know that what will happen is we'll start talking about it and then we bring it up on the show and then it always suck. It's like it's been rehearsed. There's no tension there. Of course you ran into Jeff Smith.

28:59 In the morning. And so we ended up getting a bunch of these jingles and things which some people complain about but it paces the show well. It is a mockery of the other model, but it adds kind of a nice, I don't know what it is, the atmosphere is improved by it. The in the morning thing is used as a rim shot. generally, or should be, and it is often. So I say something funny, which is very common on the show, and then he hits the rim shot. Or if you go off on a tangent. It helps transition the listener's brain from one segment to the next. It jars you for a moment there. And if you listen to our last show, show 200, Adam was going off the deep end.

CHAPTER 08 / 34 Discussion

Show Evolution, Mainstream Media Criticism, and 2009 Wildcat Strikes

The hosts discuss their transition from personal anecdotes to deep deconstruction of mainstream media, arguing that most people are too busy with corporate jobs to investigate complex stories. A 2009 clip references civil unrest in Geneva and wildcat strikes in the UK against Gordon Brown's government. This period marked the show's shift toward twice-weekly broadcasts and more aggressive news analysis.

goldman sachs· gordon brown· wildcat strike· geneva riots· media deconstruction

29:52 on some topic and he kept talking, it was way at least two or three minutes over, dude, just stop it. And I told him to play the Adam Curry's Pet Peeve of the Day jingle, which I knew would transition, it would, you know, stop him in his tracks. That's right, it also stops me. You're right. Yeah, it works perfectly that way. So the show, here's from one of our listeners, the show you do today is very different from the show when you first started, e.g. personal anecdotes are gone. No, they're not. Audio clips and jingles are now prevalent. Originally less than an hour a week is now four hours a week and listeners are now asked to contribute cash. Is the show where you want it to be or are you planning more changes? The show just evolves so we don't plan anything although we do things individually that may or may not stick.

30:41 I'm on board with the evolution. Absolutely nothing is planned. I have my own things, John has his things. We might send each other a link from time to time and even then usually the link doesn't get discussed because we saw, well whatever, it's over. But we have a couple of common interests of things that are funny, that we think are funny. Usually they have to do with mainstream media. I didn't realize we had the in the morning jingles that quickly already. I guess that was yeah, the Jeff Smith, Sir Jeff Smith did that. Well actually I tried to find out where this stuff was first coming from so I did a little research and we can play the let's play the third clip of this particular origins clip but I would then I want to I'll give you some genesis.

31:29 Stuff is kind of interesting. I think that's that's the most fun is when we when we rag on mainstream media and pull it apart and Simultaneously open people's eyes as to what's really going on in on television You know that may have been triggered by the weenie in the bud episode Probably yeah of the family guy because once we start once we began we started mocking that model we started looking at the media bitching about it generally and on a higher plane, I believe, than the people at Fox have ever thought of. And we started, we realized that it was actually, we were entertaining ourselves and we knew it was very valuable information and we had the time. It's not like anyone can't do this, but most people work for a living.

32:09 If you're to have a job at Goldman Sachs and you're there until, you know, seven at night and you have to get in early or whatever, and then you have to drink all day, which seems to be what the job's about. And watch strippers. You don't have time to go and start digging around these stories to find the one, you know, the missing element or the kind of the crazy connection. You just haven't got time to do it. And then, you know, the fact that the mainstream media doesn't do it and they don't. It just makes you wonder. The in the first in the morning clip So we still that sound that sounds about right and that's by the way one of the reasons I'm glad we doing the show from scratch is because I listened to the original shows 200 Points the 200 point X and there was a lot of us just ad-libbing You know like I don't know when we did that, but I think after about a year We did you know we did we got some real numbers now, then you're right it was 2008 and

33:14 And I mean 2009 and that's only really three months into the show. I have a cover. Here's a good example of what we're talking about. No, that's more than three months. There's 2009. Maybe this is a copy then. Oh no, that's right. No, it was over a year. What am I thinking? Yeah, 2009. I mean, just let me just play the ones that he sent us at that time. We still use them. Yeah, what I was thinking is only about three or four months after we started taking donations, I have different origin periods. We started taking donations in late 2008. Anyway, by the show 68, here's what the show opening in February 1st, 2008 or 2009 show 68, here's what the opening used to sound like.

34:09 It's time once again for the weekly adventures of Crackpot and Buzzkill, live from Gitmo Nation West in Southwest... Wait, I'm in East. From Southwest London, I'm Adam Curry. And I'm John C. Dvorak here in Silicon Valley North. That was John C. Dvorak? Yes, yes you did. And that is Gitmo Nation West. I'm in Gitmo Nation East. Fresh back in Gitmo Nation East where things are falling apart and the Brits have finally started to grab for the pitchforks and torches. There were riots in Geneva yesterday. You missed them, but you were on the plane. I missed the Geneva, but yesterday the British also, not riots, but they're calling Gordon Brown on his bullshit, the workers at Total and a few other outfits, and we had a wild wildcat strike. Yeah, see that's what I sound like when I'm baked, for sure.

CHAPTER 09 / 34 Discussion

Gitmo Nation Branding, Dave Fox, and Apple Logic Loops

The "Gitmo Nation" terminology is explored alongside the development of the show's professional imaging, which featured voice work by Dave Fox of iHeartRadio. The hosts clarify that their opening music consists of royalty-free loops from Apple's Logic software, leading to occasional confusion when listeners hear the same tracks elsewhere.

gitmo nation· dave fox· iheartradio· apple logic· yann paulet

35:08 Yeah, it could be you probably were baked But it was like the leg and all the rest of this these shows were not good in my opinion. Oh, it's not horrible Yeah, I know it does. So I'm surprised. Thank you for staying with us. The few of you who have. Yeah. And the people go back and listen from episode one and continue to listen and all the way up to today's show is like, wow, how it's doable. Hey, when do you want to do some questions? You want to do those after we go through the Genesis? Yeah, I want to get these clips out of the way. Then we'll do the questions. So we'll get some of this stuff. I also have a fantastic ISO. Yeah, okay. I'm fast, but not that fast. I love that. Fantastic. Hold on a second. I love that. Fantastic. What was that about? She was just baked. Baked.

36:00 Okay, now here's the February 5th, 2009 genesis of the In The Morning. And this is the first time we do two shows a week. This is the opening from the first Thursday show. Just like Double Mint Gum, we're now twice as nice with the premiere edition of the weekday No Agenda. It's Crackpot and Buzzkill. In the morning! Coming to you from Gitmo Nation East in Southwest London, I'm Adam Curry. And I'm John C. DeVorek here in Silicon Valley North, also known as Gitmo Nation, period. Ah, what do you mean? I don't get my piece of Gitmo anymore? You know, you get to be Gitmo Nation whatever East and there's Gitmo Nation West should be China.

36:45 It's all one big Gitmo Nation, man. So I noticed that Rush Limbaugh now has a Gitmo Nation thing going on. Oh, you're kidding me. He calls it Gitmo Nation? Literally? No, it's something else, but it's similar. I'm so happy we got you to sound better on this show. Yes, I know. I sound like I'm in a bucket. Now to hear such... Really, really horrible. This is 10 days later when we started getting the, we got all those clips in from Jeff Smith. But it took really about a month or two before they were organized to what they are today. Here's an example of how we tried to use, or you, you were the guy doing it, how you tried to use them early. Wait a minute, what are we talking about here? I'm sorry, original opening, 215.09. Ah, okay, I want to make sure I play the right one. Originating from opposite corners of Gitmo Nation.

37:35 I screwed it up already. This is No Agenda with Adam Curry and John C. DeVorek. It's Crackpot and Buzzkill! Coming to you from Gitmo Nation East in the southwest part of London in the Curry Terrace. I'm Adam Curry. Wow, that was even a pre-production example of our opening. Yeah! Something... I think it was Yann Paulette. Put the whole thing together, and I know it's Dave Fox. I know that's the voice Dave Fox very famous He's you know he's the voice of I heart radio. You got a great voice. We've just been you although It's the music that ultimately we use for opening is I think it comes with Apple with What is their program logic? It's like a baby because you know from time to time people go hey, man. They stole your opening tune man like Not really it's like it's free Yeah, well

CHAPTER 10 / 34 Discussion

Episode 100 Milestone, Lost Episode 22, and Jeff Smith's Mission

A retrospective of the 100th episode from May 2009 covers the "lost" Episode 22 and the host's time living in Amsterdam. The segment features a classic donation jingle by Jeff Smith, who has since moved on to humanitarian missions in Africa. The hosts reflect on the dark personal periods and technical hurdles they overcame during the first hundred episodes.

episode 100· amsterdam· amy winehouse· jeff smith· africa

38:32 So we kind of evolved and I think the show really started to get better. by show 100 and show 100 where I decided to listen to it again and this is the show is interesting because you were going to quit the show. Oh, I remember. You were going to be disgusted beforehand but you know it wasn't easy to talk you out of it. But then when I listened to show 100 I didn't realize two things. The show 100 was a major production with stuff I don't even remember for the life of me. It was a long show too, was it? For then, for... For then it was, for now it's like eh. So uh... So I don't think you're going to remember a lot of this stuff, but let's listen. Oh boy. For people want to reminisce or never going to go back. Let me just set the stage. I had left my first wife. I think I was in Amsterdam with my second wife. And no, she wasn't my wife. I would. You were hanging out with her. Yeah, but it was I was in a dark place. Yeah, maybe what the show is, it was pretty different. Right. 99. Countdown. Adam Curry.

39:40 John C. Dvorak, countless stories covering the entire scope of real news and factual journalism. From aviation to avian flu, from tax dollars to taxonomy, broadcasting from every glistening corner of the earth to bring you your biweekly Gitmo Nation publication. Working tirelessly to entertain and educate the righteous crowd. Lend them your ears because Sunday, May 31st, 2009, The Crackpot and Buzzkill present to you the 100th episode of No Agenda. Streams, drops, and forms all created and providing the citizens of Gitmo Nation the true identity of they and why the New York Times harbors ill will against pronouns.

40:31 wine and food, real news, shadow puppet theater, and of course, Fractals for 99 episodes strong. Nights, producers, listeners, and your donations make it all happen. Adam Curry and John C. Dvorak invite you to tune in to a hallmark event of Gitmo Nation. No Agenda number 100 on Sunday, May 31st, 2009. Ecstatic to bring you this very special announcement from an abandoned missile silo in Gitmo Nation South near Dallas, Texas. I'm Parker R. Snyder and now on with the countdown. We'll see you Sunday, May 31st.

41:21 Adam Curry, John C. Dvorak. Oh yeah! It's time for episode number 100 of your Gitmo Nation publication. It is the 31st. This is no agenda. This is no agenda. Coming to you from a beautiful, I mean stunningly beautiful Amsterdam, the Netherlands, right on the canals with the sun streaming in. It's still Gitmo though. I'm Adam Curry. And from an overcast northern Silicon Valley, I'm John C. Dvorak. Well, at least you got the thing running an hour late. We're... If we really... We suck so bad. Hey everybody, how you doing? It's NO Agenda episode number 100. Good to be with you. I'm very excited. Not quite sure why. Can I interject? Yes, please. We have a bunch of people that have written in saying there was no episode 22 and this is not really episode 100. Yeah. And you know what? Amy Winehouse is really important.

42:37 Just saying. Yeah. Did we not do in episode 22 what happened? I don't know, but it doesn't make any difference because since we had the one expurgated episode, this would still be episode 100 no matter what. But it's still, this will be a controversial episode 100. Oh, because of the count. It's almost a count and because of the show that we put in the can and never released. Oh yeah, you're right. No, we didn't put it in the can. No, I did, in the trash can. And then I emptied the trash. It's gone. The bits are gone. There's no record of it anywhere. Except for the second half. You have the second half of episode...

43:13 The lost episode, right? Right, lost episode. So we'll call it 100, seems like a good idea. We had the introduction. Yeah, that was good. We've got a new jingle by the way, which was sent to us by our good buddy, The Jeff Smith. You wanna hear it? Sure, go for it. It's really for later on in the show, but that'll give me a chance to play it twice, so listen to this. Time has come once again To help support No Agenda, my friends. Help Adam and John keep the show going on. So drop a coin in the bucket today. Hey, at Dvorak.org slash N-A. You could even be knighted, whatcha say? Ah, Jeff Smith, man, you slay me. I love that. Fantastic. Aw, I wish I had that one.

44:08 You know what happened to it. I have no idea that whole opening to I don't remember that I don't even remember I mean I heard who it's Snyder, but I don't know who that is It's into her you know you complimented me very nicely you do that all the time about the production But man, I got a compliment you on putting up with me Yeah, yeah, there's that sometimes it must be difficult But I will say yeah, and the funny thing is about that show and I listened to when I listened to it I didn't remember that opening and I didn't remember I kind of almost remember the Jeff Smith jingle Do what you used later in that show and I don't think it's that then it disappeared I have no idea what that and I would mention that after that disappeared. We haven't heard from Jeff again now I hear from you. He's doing something right? He's a saving children in Africa

CHAPTER 11 / 34 Discussion

Vivian Schiller NPR Controversy, Corporate Underwriting, and Advertising Semantics

A pivotal clip features former NPR CEO Vivian Schiller admitting that corporate underwriting is essentially advertising, regardless of the terminology used. This admission followed show-led criticism of NPR's "call to action" sponsorship model. The hosts track Schiller's subsequent career moves to the New York Times and Twitter after her departure from NPR.

vivian schiller· npr· underwriting· advertising· twitter

45:00 Yeah, yeah, yeah, he goes on missions to Africa now, it's cool. So I found that to be interesting. The last clip I have in this huge collection is a discussion that we will probably get into a little bit here, which was, and It might stem a little bit from the clip that you have of the NPR lady. Yeah, you want to hear that? Yeah, let's play that first and then we'll play our discussion about advertising and start answering questions. Yeah, this was Vivian Schiller at the time she was the CEO of NPR and we were on her tail all the time. I can't remember why but we didn't like her and we thought NPR was full of crap and then somehow she was doing a Q&A

45:46 And this genius clip came out of it because I think we were always saying, you know, oh, I remember what it was. It's like, hey, they're doing call to action. So, you know, they don't have advertising, but then they would say, well, you know, this is a, this program is brought to you by Squarespace. And then they would do like a, you know, go to squarespace.com, which they only did for a little bit because I think they got, you know, They got in some trouble for it. But we were calling them out on, hey, you're just doing advertising, you're calling it something else. And then Vivian Schiller gave us this beautiful clip. Okay, moving on to money. How are NPR's corporate underwriting revenues holding up in the recession? And what about foundation grants?

46:21 Two different stories. Underwriting is down. It's down for everybody. I mean, this is the area that is most down for us, is in sponsorship, underwriting, advertising, call it whatever you want. Oh yeah. And she was gone after that. Yeah, well, she wasn't doing well there. And I don't know, you can follow her on Twitter. Didn't she go to the New York Times? Yeah, then she left there though. I think she went to Twitter maybe oh, that's right. Yeah Yeah, it's bouncing around as we have is when you get a certain jobs Bounce around what happens when you're no good. Yeah

CHAPTER 12 / 34 Discussion

Value for Value Model, Advertising Skepticism, and Creative Freedom

The hosts argue against the traditional advertising model for podcasting, citing the intrusive nature of commercial breaks and the loss of creative control. They advocate for a "church model" where listeners support the content after consuming it, rather than paying in advance. This "Value for Value" philosophy is presented as the key to maintaining an unfiltered broadcast.

value for value· advertising· podcast monetization· creative flow· church model

47:05 When we had, we made this little discussion very early on about advertising from a content creator perspective. And it was good. And I believe it's because I was irked because we're still early within the first couple of hundred shows and you'd get the. You'd get the comment from somebody, some expert, about how, why don't you, what are you doing taking donations? Why don't you get advertisers? Why don't you find advertisers? If the show's any good, you'd find advertisers. And you get this from people about why don't you using advertising? And advertising is not for podcasters, with the exception of a very few people.

47:48 Advertising doesn't work for crap. It doesn't work. You have to split the money with somebody else, the ad sales guy. It creates a layer. You have to take grief from advertisers. You have to do meetings. Meetings, yeah, it's one of our themes. But here's a little discussion we had on the topic that I thought would be worth clipping and playing again. Radio is terrible. 17 minutes of programming and 13 minutes of commercials, you know, make your choice. Right and how much is your time worth so I've used that argument, but then I also found another one Which I really haven't exploited on the show, but you know because people that's production Well, it costs a lot of money to make a movie What about a novel novels are one of the first in one of the first businesses that are directly user supported? Good point you buy a book good point and you read the book and you've you know you've already paid your money although of course unlike our show the book you pay in advance for the book and

48:41 and you pay in advance for the Avatar movie, you pay in advance for a lot of these things. We don't do that. We're more of the church model where you, you know, if you don't like the sermon, you don't have to put anything in the coffers, but it's the same thing. Books are user-supported. There's no ads in a book. And once you get over the personal hurdle coming from mainstream, where by the way we hate commercials, I've always hated commercials. I hate that's where the GVR is such a godsend. No, but I mean just even as a creative as a creator of content I'm like, oh, you know, I gotta I gotta hit the commercial break. I gotta wait for the commercial. Oh, yeah. No, they're terrible. You got us interrupt your flow and watch one of these shows anyone listening to this on Fox or any place else and they get somebody in a really heated debate, but they're on a hard break. Yeah. Oh, yeah. I've seen this with Tom Brokaw and the president.

49:34 And they got some guy screaming in his ear, counting down the commercial and the president is actually just saying something really interesting. It's annoying. It's very, very annoying as a creator to go through that. But then it was kind of weird, at least for me it was, you feel embarrassed to ask people for money. And there is a psychological hurdle, but once you're over that, It's not over pretty quickly. Yeah, it's easy sailing. Yes I'm glad you got that clip because that is that's a message to podcasters everywhere. This is your biggest hurdle I'm convinced of it the minute you go to the value for value model, which I don't think we had coined yet here

50:18 No, the model was there but not the well actually I think you had coined it a little bit because I remember being in that longer even if I can make that clip longer I think it might be in there. There's the beginning I agree. I think you're right. It's a dis hurdle. There's two hurdles. I saw one was doing it, just doing it, just jumping in the pool. And the other one is taking it so seriously that you really become as part of your life. You're not just goofing around. And you mentioned in that clip, in that longer version about tip jars and how stupid it is to be so passive. You can't be passive, you have to be aggressive.

CHAPTER 13 / 34 Discussion

Subscription Model Failures, Andrew Sullivan, and Numerology Donations

The limitations of rigid subscription models and platforms like Patreon are discussed, using Andrew Sullivan's blog as an example of how fixed pricing can cap revenue. The show's success is attributed to open-ended donations and listener-generated numerology memes, such as the "8008" (boobs) and "73" (best regards) donation amounts.

andrew sullivan· patreon· paypal· 6969· 8008

50:58 Yeah, and also what we I think we figured out pretty quickly that it was a mistake to limit what people wanted to give by saying, oh chip in chip in three dollars chip in well now that you mentioned it I didn't have this in my notes, but I was thinking of a couple of examples of that one was the mistake podcasters making podcasters should obviously I think a few will listen to this and Is that they go too cheap? Yeah, they're looking for a dollar Health and Nicola show which is very much the NPR model. I might add you know they don't have to do anything more than that nowadays because they have Giveaways and they and they have the big underwriters. Yeah, and tote bags tote bags and coffee mugs But I was thinking about this because I noticed that

51:52 Once we kind of opened it up and created the executive producer and knighthoods two different tracks for everybody to start doing it they would give more money into the support for supporting the show they would give more and. with, you know, knowing that their notes going to be read or whatever the rationale is. But when you had it, we had it for a while, $2 a month, right? Which is how we kind of started stupidly. And that was, even though there's still actually one or two guys that are still, still on that track. Sure. Through the old PayPal account too. Yeah. The old PayPal account. That's a loser. And when I see people in this like, oh, you want to do this and we need to get this much money and it's a dollar, you get to pay, you know, 15 cents a show. That's kind of low end thinking really hurts you. And I'm going to give my favorite example of this. Andrew Sullivan, they kind of write when gay. Yeah, I guess he was a blogger. He was a very famous. He's a very famous blogger, wasn't he? He came up with it with he's going to

52:56 create an online magazine just about him. And he did. And he's had a yearly subscription of something like, it was a yearly subscription, very rigid. And we are open to any amount of money, more like a church, I'd say. But he had this, you know, $24 a year or something like that. And you get this access to his thing, which of course ends up getting bootlegged. But we need to just say this only works if you produce an outstanding product. If you don't have that, then it's just not going to happen. And quite honestly, listening to some of these old clips, I'm amazed. Yes. So then so that you're actually killed your own argument. Yeah. Now, so

53:36 Sullivan, I don't know this story to be absolutely true, but I do know that Sullivan opened up big because he was very famous at the time and I think he had something like 10,000 or 20,000 or 50,000 subscribers. I remember the number was he was making a million a year. That's what I remember. Yeah, it was a million a year. Why didn't he keep just doing that? What did he do? Because I believe it fell off like it does with all these other subscription models. PayPal kicks you off. You lose this guy, you lose that guy. They stop subscribing. They fall by the wayside. We have a lot of people overboard. It doesn't work. I think he probably was making a million a year and then it became less and less and then nothing.

54:20 I just don't think that the idea of having a simple subscription as your only source, and I've seen podcasters try to do this. the model that we attempt to do, and they keep it, they limit it. They automatically limit it. You want to give them money? It's 19 bucks. You can give them 19 bucks, but you can't give them a thousand. Which is the downside of Patreon. Patreon is set up in the wrong way, in my humble opinion. Patreon is very limiting. For example, if somebody says, why don't you use Patreon? Well, there's other reasons we don't use Patreon. Mainly, their contract, we don't like it. But we have like every couple of shows we have new offerings and they're just you know set up using PayPal and you can set up a new you know we get some special deal and sometimes it's open donations a random donation and seven times out of ten it's the producers the listeners themselves who come up with some crazy idea that we then adopt and

55:17 Yes, you know like 69 69 we have the hands with 70 C 73 73 we have 8008 for boobs I mean this is all stuff. We didn't come up with this no Yeah, we could have but no yeah, but we did well the boobs. I don't know how you could come up with that Or the little boob, the 6006. We had boob, but we never, we didn't come up with little boob. We could have, but we didn't. It was somebody else. That's a great one too. Yeah, I know. And it's just, it's just the model that we put together, I think works better than anything else I've seen out there. We've, you know, tried to get other people to do this exact same model because I think it's a good model for anybody. And,

CHAPTER 14 / 34 Discussion

Podcast Community Production, 10-Year Anniversary, and Peerage System

Reflecting on nearly ten years of broadcasting, the hosts emphasize that the show is a collaborative effort with the "producers" (listeners) who provide both financial support and content. The "Peerage" system, including Knighthoods and Executive Producer titles, is credited with creating a sustainable community. They defend the length of donation segments as being inherently entertaining and full of unique stories.

executive producer· knighthood· community· donation segment· value for value

56:06 And it stems pretty much from dedicating ourselves to the model and not even thinking about advertising. And taking a risk. We took risk. You think so? I never thought as much of a risk. Well, I gave up my job at my own company. Yeah, you did well you took a risk because you gave up you quit you were but you were fed up but also I couldn't I couldn't sell it to myself here. I am you know at a Podcast network, which you can't monetize the network You know trying to make cheap content and put stickers all over it to you know with advertising and Meanwhile the real fun was doing the no agenda show and it was just like this is really I love this I love that when I told you hey, I enjoyed this here's how much I thought it was worth that is so

56:55 much more fulfilling than, gee, we got all the views we promised. There's engagement. Boom. Yeah. Thanks, advertiser. No, it sucks. Yeah. Send some bots through and have them click. Yeah. I don't even want to talk about that. But anyway, so that's the way the model came about. And I think it was, I think it's good. I mean, we have our ups and downs. It's not very consistent unless there's some gimmick or something fancy going on or it's an anniversary. You know, as you struggle, I mean, it might as well be this is probably let's do this as our little donation segment. Uh, well, hold on. Let me interrupt you. I'm going to show my support by donating to KnowAgenda. Imagine all the people who could do that. Oh yeah, that'd be fab. Also the Jeff Smith.

57:47 And we want to mention the, we're not going to thank anybody on this show or the next for that matter. And so anyone who contributes to these shows, these particular shows, like if you send something in over $50 today, it will be on, let's see which show we'll bring in. 986, then it'll be on, yeah, that'll be the 30th, the last day of the month. And so we'll do a big donation segment, which believe me, we're used to, although it'll combine a couple of shows, probably, it'll actually combine three shows. And it'll still be three times longer than usual. But you know how people at this time of year, they're not, it's Thanksgiving, nobody's listening. They'll go back and listen to the show later. People like the donation segments. Those who don't know how to get through it and they miss important things,

58:37 Yeah, we tell it, we have good stories within the, we make the donation segment interesting. Thank you. This is, and I think it's very entertaining. Another point that needs to be made just since we're the granddaddies of the podcast here for the moment, you got to make it interesting. Yeah. So just sitting there and just, you know, thank you for this. Thank you for that. No. And somehow we roped ourselves into playing classic jingles and all kinds of stuff for people, which I think does make it interesting. Yeah, except when they all ask for the exact same jingle one person after another. That's random number theory.

59:15 But anyway, dvork.org.na, we'd appreciate it if we got some help for this episode, which we are making an effort to do. And I would like to thank everybody for 10 years. We've, or yeah, for the better part of 10 years, we've successfully been able to create this with you. Thank you so much. And I'm not just thanking you for, I'm not just thanking you from the bottom of my heart, from my wife's Baltimoreville. It's not just the contributions through money. It's everything. It's all the stuff that you guys helped produce with. I mean, that is the true community and luckily there's an understanding that the only way we can do our job is if you support us. And it works. And I think maybe, maybe, maybe sometime in the future someone will go, hey, look what those guys were doing back then.

CHAPTER 15 / 34 Discussion

Legacy and Impact, Original Thinking, and Mainstream Disconnect

The hosts discuss how they wish to be remembered, focusing on helping listeners navigate the "insanity" of the modern world through original thinking and media deconstruction. They share anecdotes of listener feedback claiming the show has improved their personal lives and mental well-being by providing a humorous perspective on global events.

legacy· original thinking· mental health· mainstream media· listener feedback

1:00:03 Maybe it's a possibility and that will bring us out of this segment into the questions. Hold on. I do want to just mention since we pretty much mentioned every single 200 dot whatever episode that even even with our model and this is important. We have the most messed up donation address in the world. Dvorak.org slash na you go on the street do a Jimmy Kimmel man on the street nine out of ten people can't even spell Dvorak let alone as they get to this to the URL, but

1:00:41 This is the magic of what we do. It works. Jingles work. They work. We use a lot of old tricks. And if only the new broadcasters would understand that these old tricks still work. They were developed over time when radio was king. Back in the good old days and actually after radio got knocked out of being king it got even better in terms of the tricks because you had to use more of More tricks because you're competing with television right the radio really and gotten to the point I mean the morning zoo model is not something that would do well in the 1930s and Scott Shannon still does it on CBS FM in New York? It's where I learned how to do it. He still does it the number one station in New York believe it or not

1:01:29 No. It still holds water. Well, you mentioned a second ago that what will people look back on and think of this show? I don't think they're going to think much of the first hundred of them. But after that, I think we got on a roll. And that brings us to a question from Larry Hay. OK. Cop out question he calls it. May I please ask how do you two experts want to be remembered 100 years from now? Okay, well I you want me to go first so that you can answer I would like to be I would like to be remembered by what? What I fancy the most is when people send me an email and say I?

1:02:18 Wow, you really changed my life or you help me with my kid or you know something is going better because of the show That is something you rarely get in mainstream coming from that world PBS throwaway product. We give a crap throw it out You know done we got a race used to sell its use to move product. It's yes exactly. It's not about the show it typically in mainstream This is about the show And this is and over the over time I think that we discovered ourselves that we were actually helping ourselves deal with the insanity that was going on in the world which is partially, well in no small part, thanks to the internet. You know people are getting ill from this stuff. I think we kind of naturally identified it and it was

1:03:09 I thought I always found it good for myself like oh I know how now that I've talked with John about this and we were laughing about these morons all this idiocy that do instead of being afraid or scared or or Worried or you know and any number of things that is usually intentional So I would like to be if someone somewhere said in a hundred years from now those guys You know that apparently they really help people out a lot with their format with with their stylings and That's as good as answers I could come up with Oh cop out. Yeah, come on. Give it a shot John We know I kind of want to be remembered for some original thinking that could be documented I like the idea of helping people I think that people get it whatever they get out of this current version of the show and the show I think is versioned I think you have your original show and then a show we talked about restaurants and

CHAPTER 16 / 34 Discussion

Vinegar Fascination, Mother of Vinegar, and Unfinished Books

A recurring discussion about vinegar reveals a fascination with the "mother of vinegar" and its potential health risks if produced incorrectly. One host admits to having completed extensive research for a book on the subject but losing interest in the actual writing process once the personal curiosity was satisfied.

vinegar· cellulose· acetobacter· health· nonfiction writing

1:04:11 That by the way that was the show is also a bit about our lives because we did that is you know I wouldn't have I wouldn't see you for several weeks or whatever and then you'd be in San Francisco and we go and we go to it It was kind of cool because I had the me via credit card and we go to a restaurant and I'm gonna yes That was a very good. We have to do. Yeah, we have a meeting and some research We have to discuss stuff and we were totally just raping the company Totally raping them you could we could have done better Exactly. Yeah, for a couple of... we're nice guys. We didn't want to make it too crazy. But yeah, that was... and people did like that. And I think people... in fact, I want to move to a question from the Twitters. We talked about all kinds of stuff that bothers us or the food stuff was always good. I think we still do that to a degree. Here's a question from Adam Pert. Why the vinegar fascination?

1:05:11 This has just become a running gag, I guess, but maybe we should explain the genesis. Well, I have this vinegar book I'm supposed to do, but once I... I have a problem with some of these little books, these... Stop, stop. You have a problem with any book. Since I've known you since we've done this show, you have not published one book. So, one of the things that I've had a fascination with is people who think that that big, what's called a mother of vinegar, which is a big gob of cellulose that actually produces vinegar because it's a form of a cedar bacter, not the normal ones. Xylinx, I think is the name of it. It produces a toxic vinegar.

1:05:52 It makes you, you have stomach aches or nausea or heartburn for a long time trying to get that out of your system. And people still make vinegar from it. I keep wanting to do this book as a public service. There you go. Tell people don't use this. I'm sorry? Helping people once again. Yeah, helping people once again. So that's the and so I'm I keep reminding myself to finish this book. I actually here's what here's what my problem tends to be with this sort of book and nonfiction is that I do all the research. I got all the research done and then I find out what I need to find out. I know I know what I need to know. Then I might as well go do something else because I I'm satisfied. I'm done now. I know what it is. I forget about it. Yeah, I understand.

CHAPTER 17 / 34 Discussion

Technical Workflow, Mark Levin Style, and Live Execution

The hosts reject the formal "play clip three" style used by radio hosts like Mark Levin, preferring a more intuitive, non-verbal workflow. They describe a "smooth as silk" execution where the producer anticipates the speaker's needs without explicit cues. A YouTube video titled "How the Sausage is Made" is referenced as a visual guide to their live production process.

mark levin· sysadmin· engineering· live broadcast· youtube

1:06:37 Yeah, well, I know you a little bit so I understand. I understand how that works. Give me anything on the email. I got an email from Andrew. Scrit, scred, if scred if something I'm not sure how to pronounce his last name, John, would you consider indexing specifying clips you'd like to run on a show by number telling Adam simply something like play clip three? Oh, how incredibly boring you might as well call yourself Robin. Well, it's what it is. That comes from this guy obviously listens to Mark Levin. Ah, okay. Mark Levin and some of these other guys and so does I think to an extent Savage does this. Yeah. They say clip three go. Oh. And the guy will play clip three because that's what he does. He's just playing clips. There's no... Adam doesn't obviously remember this because he would have said something already.

1:07:35 I tried. Oh, you did try a numbering system. Yes, you're right. I recall. Right. He basically told me to pound salt. He refuses to do that because he feels like a monkey. Oh, that's not why. Well, no, that's not why. It's just got to be an element. No, I find it actually much easier. No, of course not now. I know you pretty well, so I Know yeah, you can pre-guess the clip. Yeah when you're talking so that's what I do And there's a video out there on YouTube called how the sausage is made you can see it and you hear you hear John talking you talking about okay, blah blah whatever the topic is and you can see my mouse and

1:08:14 Like, is it this one? Is it that one? Okay, I know what he's talking about. Drag it in. Maybe there's two different things, two clips with the same topic. I'll drag them both in. Get ready to start. I like being able to start a clip without you saying anything. At all. No cue. Now, yeah, that does happen on a really great show and this is how I actually determine a show is good. It's smooth as silk. I'll be yakking about something and he will see that what I'm talking about as a clip. You see the clip? And then I will just Stop talking do that pause. Yeah, and He'll nail it and when you when you listen one of those shows and there's they're not every show But there's a more than you'd expect It's dynamite yeah, and and that's why it's many people professionals say did you guys edit that show? How do you how do you gee how much work do you put into that no we do it live we do it live So that's the real reason

1:09:16 And it is, I think it's annoying. Play clip three, play clip two. No, it's not necessary. And you know, he's not, we don't have an engineer. We're working on the show together. Yeah. The engineer's not part of the show on those, on the Rush Limbaugh show. I mean, Snurly comes in once in a while through his headphones, but we don't get to hear him. No. You know, just the, it's the old fashioned one guy yakkin'. And, and yeah. It's because of our combined talents that the show actually works and is cost-effective. Because, you know, you're a professional, you're a broadcast professional, I hear when you're ready for the clip, I often misguess it. Three, four times I'll start the clip and you usually have a little bit of pad in the beginning of your clips.

1:09:57 And I'm sure people have heard that. You know, the clip will start, you'll hear it and you're talking, oops, oops, stop, rewind, stop, rewind, stop, rewind. But yeah, someone even suggested, yeah, you should get a red light. No! Yeah, like you press a button, you press a button, I go, oh, okay. No. Now, there is, of course, a way to do it where you could be starting your own clips, but what's the fun of that? Well, Yes, and I could actually change my rig and have a, I could actually do the clips from here. I just need to change everything. I could put a mixer in here and I could do the, I can run my own clips, but the way it works now, it's so interesting. And I think it's, it kind of works a little better. It's a little more honest because there's a clumsiness sometimes that's charming. I think. I agree. Dean Reiner.

CHAPTER 18 / 34 Discussion

Knighting Ceremonies, Patreon Mistakes, and Check Donations

The logistics of the "Knighting" ceremony are clarified, describing a mental image of a grand hall with existing knights and dames. The hosts reiterate their preference for direct checks over Patreon, noting that physical mail provides "content" and supports the US Postal Service while avoiding high platform fees. They mention mentoring other podcasters like Jen Briney in this model.

knighting· patreon· usps· checks· jen briney

1:10:54 Says, I'm aware of the lack of consequence to this question, but to whom or what does Adam announce the nightings? And then he has K what? To who or what do I announce the nightings? Yeah, I'm not sure what this means. Does he mean the music? No, he's saying to whom. Who's the audience, I guess. Well, people are the audience, I asked the dames and the dames and knights to be I asked them up on the podium next to the lectern and obviously down in the

1:11:37 The hall is the roundtable with all the existing Knights and dames. They're all sitting there watching I mean, I don't understand what what the question is yeah, I mean, I think you answered it Connor Jarrett your thoughts on the future of podcasting do you see it being value for value model or a Hell of shilling tongue brushes and razor blades. Yeah, I think that's what it's gonna be I I mean, just tongue brushes. Yeah, and razor blades. Sure. Not a lot of people will do this model. So if you think, I'm just saying what it will be in the future, just look at it. Everyone's doing advertising. I don't think they're going to be very successful. In 100% agreement, nobody wants to do this model. I mean, we do have Jen Briney. She does this model. She does quite well for herself. And you mentor her. Yeah, which helped.

1:12:29 But there's other people that could do this model, then they just won't pull the, they won't. I don't want to say who it is, but there's somebody that does a version of this model, but they use Patreon almost exclusively, which we believe to be a mistake. And they once said they can't totally get into the model because this person once said, I don't think I'd feel comfortable taking checks. And Adam and I discuss this every once in a while, we know who it is. And we discuss it and you shake your head. Why wouldn't you take money? I don't understand. Oh, I don't know. I wouldn't feel comfortable. I'm taking money from, I mean, I can take the check that comes in the mail from Patreon, but I won't take a check from a listener. Why? And in fact, you've kind of made a hobby of looking into all these alternative forms like pop money and...

1:13:26 Yes, we probably more money right now through a credit union does work checks work great. Yeah, and Everybody wins checks everybody wins. You know there's no cost. It's fantastic. No cost and a bank has to pick up a It helps the mail It keeps the US Postal Service in business. This is a very good thing these checks Yeah, yeah, we like the checks. Yeah, and sometimes they're pretty, you know, there's nice things on the checks. And some people send their own check from their personal account through the mail with their own handwritten note. You know what it is, John? It's not a check. It's content. Yeah, it's content. That's what it is. Exactly. Alan Bradley, why do you interrupt Adam's professional well-written show opens with duck calls and sound effects?

CHAPTER 19 / 34 Discussion

Studio Noisemakers, Slide Whistles, and Musical Instruments

A detailed inventory of studio noisemakers is provided, including slide whistles, harmonicas, kazoos, duck calls, and electronic soundboards. The hosts demonstrate various items used for transitions and accents during the show, noting that these physical props add a "Spike Jones" element to the broadcast.

slide whistle· harmonica· kazoo· duck call· noisemakers

1:14:20 Do that I don't do that that often. I just think you don't do it often enough You started doing that a couple years ago, and that's more than that five years ago. I'll say yeah And it's very began no it began with a slide whistle you started a slide whistle slide whistle and the harmonicas Yeah, harmonicas and slide whistles, and I think it was you know like a spike Jones thing just you know once the module Just throw something in there. Holy spike Jones. Yeah, another, you know, jingle like thing for a transition or an accent or you know, and that we also have the bells of course. I think I stole both of those. You started with a slide whistle. I got a slide whistle. That's true. You got a bell. I got it. I got a digital bell. Sorry. Well, I have a real bell. There's the real bell and here's the digital bell. Ah, okay. Well, you got two bells then. I have a gong.

1:15:17 Anyway, what here's my question to you just right near your chaise lounge where you are now. Yeah, what what? Noisemakers do you have just give them to us one by one okay? I've got the recorder the off-key recorder. I have to I'm gonna come to your house. I'm gonna play that thing and you're gonna be like wow I had no idea it actually was broken. There's no way I Look, there's no way this thing is broken. It's not broken. You're you know done doing it, right? I'm doing it wrong. I got I got chimes. Yeah, I got the gong. Well, come on give us some sounds. I don't what chimes

1:16:00 These chimes I don't play them that much because they're kind of set over here and you can barely hear them This is and so I had to pick them up and take him near the mic so I really I just stay there I've never really used them much. I got to two sound makers electronic sound makers like this one and and this The other one which you got about this one's got four by five. It's got 20 buttons on it the other one has four I Have a bunch of harmonicas from different keys I have a right at hands length. I've always got this ready. I have that horrible sounding This thing oh no no that's a bad one people get very triggered by that thing yeah, I don't like it, and it's and it hurts mm-hmm I Hit it with a piece of plastic this time so you couldn't really hear it, but oh my god Yeah, that's what the teacher we got that because a teacher was using that in class to get the children's attention to make them sit down. I bet it did. Yeah, I got this

1:17:04 I have the duck call, I have the moose call, or deer call. These are all right at my fingertips. Give them to us. Oh, okay, well, they're right at my fingertips, but push them aside. Here's the, I got this, this is a good one, I forget about this all the time. I need to rearrange, I got this thing, this. Yep. Got that, which also sounds like this. I got this, and this. I don't use it that much. I got this. Got this. And your family gives you these things as gifts for birthdays and Christmas, don't they? Where's your Hillary pen? The Hillary pen. Yeah, that's not right on my fingertips. That's on the table. Let me take a spin around here in this chair. Should be one. There it is. In a pile, pile of paper. It's a classic.

1:18:27 Yeah, it is a classic. And then I got this guy. Yep, I got this guy. I got that one. I love that one. I only have three noisemakers. Actually, this is not a noisemaker. This is my instrument. I've gotten pretty good on the slide whistle. Yeah, you're actually good on it. Well, that's not my day. And we both have kazoos. I don't know where mine is.

1:19:07 That's my kazoo. You don't need as many noisemakers because you have the soundboard. Yes, I do have this. I got that. Yeah, I have one of those. I lost it. And the most important one is this. I use this for many. We can make a lot of racket. Yeah, so that's what we have. Alex B writes, will you continue the show for the rest of Trump's first term like you promised right after he was elected? I don't remember this. I keep hearing jokes about exit strategies and hints about quitting. I know it's selfish, but I would hate it if you quit too soon since I only started listening right after Trump was elected.

CHAPTER 20 / 34 Discussion

Superstitions, Ride of the Valkyries, and Cinco de Mayo Rituals

The hosts discuss the superstitions embedded in the show's pre-live rituals, such as singing along to "Ride of the Valkyries" and shouting "Cinco de Mayo." These rituals, though not included in the final podcast recording, are essential for "getting psyched" for the three-hour broadcast. The "Ride of the Valkyries" tradition is jokingly traced back to the propaganda techniques of Joseph Goebbels.

ride of the valkyries· cinco de mayo· superstition· joseph goebbels· live stream

1:19:56 What in these aster my recommended suite of antivirus software and other tools I use a vast? AVG don't you use AVG no no I switched a vast long time ago. I use a vast free and I also use Spy hunter yes, I have a spy hunter. Yes by hunter. I under it does a trick yes and Adam when did singing along to the right of the Valkyries when did that begin? I what makes rituals like that so important. I'll tell you but let me answer it for him before he answers, which is he's Superstitious yes, do you notice you hold any other superstition outside of the show Oh tons of superstitions It's all part of the Tourette's obviously

1:20:48 I don't remember exactly when it started. I do know that we were talking about, or I'm sure it was something that came up on the show, that Hitler's guy Goebbels, the PR guy, he would always play uh, the ride of the Valkyrie before Hitler did an important big speech. I thought, well, you know, that's a good idea. I'll get everybody kind of, you know, it's, it's, and we have a very good version of it too with the fat lady, even though we've never seen her, we just, you know, you imagine it's like, she's a, you know, a nice plump lady who's singing that there's no, there's no other ladies look like you can do that unless they look like that, that kind of operatic. Yeah. Just, you know, just perfect. And

1:21:30 I don't know then somehow sanko to Maya came in that became a thing. I don't know where that came in I don't know For one thing that song is not Kept on the recordings no It's not it's impossible to track down when that happened because we don't record that part of the show well I do on the backup recorder, but I always delete that I Yeah, you can't keep all that stuff. So we'd have to go through show after show to where he first did it, where he first did Sanco to Mayo. And then you did it and did it. It is my recollection. You did it and did it and did it. And one time you didn't do it and there was some foul up with the show.

1:22:11 And so you made the assumption that it was the missing Sanko de Mayo. And to this day, if you miss Sanko de Mayo, you're very upset. Yes. And since a lot of people listening to the show have no idea what this is because it's always on the live stream and it's never in the show itself, someone came up with an abbreviated version in Which is kind of like a break glass in case of an emergency. If I miss saying Sanco de Mayo at the right point, you know, it makes no sense to start the whole thing over again. Instead, we have this version. Sanco de Mayo!

1:23:19 Oh Yes, and what we also have is the... FAT LADY! We got a couple of shouts like that. That's all- it's all- yeah, it is superstition, but it's kind of like getting ready for the big game. I take this seriously, you know? It's like, um... It's, uh, three hours. We're, you know, we've been up for hours getting everything ready. You know, I'm... psyched. It's getting psyched. That's what it is. Getting psyched.

CHAPTER 21 / 34 Discussion

Global Geopolitics, Pipeline Reports, and Deconstruction Nomenclature

A summary of core show themes includes the "Pipeline Report" (Episode 426), the Wesley Clark "seven countries in five years" doctrine, and the reality of the global petroleum economy. The hosts explain their use of disparaging nicknames and specialized nomenclature to describe political figures and geopolitical maneuvers, acknowledging that it can be a hurdle for new listeners.

nord stream· ttip· ukraine· wesley clark· petroleum economy

1:24:11 Yeah, it's like a football game. Honky Tonk Willie writes, your show is immensely educational as such without certain background information, much of your discussion lacks the necessary context for new audience members. This is one of the reasons we do this particular show every so often. Here's a few items I think would be good to address. We're not going to address any of them probably, but I'll list them. An exposition on pipelines would be good. Nord Stream, Sud Stream, Qatar, Iraq, blah blah blah. Okay. Is he saying that would be good to have that? Well, we've done it before there's a show dedicated to it. Yes, that's exactly why I'm so surprised. I don't know that he knows what show it is. Two.

1:24:59 You can look it up while I read this list. It's a long list, by the way. We're not obviously going to be able to address it on this show. TTIP, the Trans-Pacific Partnership, said that, and other huge trade agreements that are not opaque, a roadmap of liberals and conservatives, classic and modern, laid out on top of current Republican and Democrat ideologies, hawks and doves, and where the neocons fit into the mix. Globalism versus nationalism, what they really are versus what people think they are. Like people on the street, Bit with people thinking socialism sounded pretty good. People think globalism. One big groovy global village. Five, or one, two, three, four, five. The economic hitman style of exploitation. You explained it fully several years ago and now just refer to it by name. Expound on this. Ukraine, number six, Ukraine hits at least four of the above. So that's a rich subject for a recap.

1:25:56 Seven to seven countries in five years. Also, we do that a lot. Yeah, in fact, now it's really in play again. He says he gets a lot of play on the show, but I can hardly remember the thinking behind it. We are spreading democracy, giving the finger to Russia. There was no thinking behind it when it first showed up. No, there was no thinking behind it. It was just something that was told to West Clark. He'll want to go to episode 426. July 15th, 2012, that was the pipeline report and that is the episode where we discuss all of that, all of those pipelines and everything behind it. And that's been an ongoing, still is an ongoing thesis, we don't talk about that much anymore. A lot of these projects have been stalled and the focus is a bit off of Ukraine now, but that is, and that was also thanks to one of our characters on the show back in the day, Mr. Oil, if you remember him.

1:26:52 Mr. Oil was a commodities trader, traded oil, Russian guy living in the UK. And he explained to me how everything really revolves around oil and its transport, and not just oil but also gas. And so then we understood the gas part. And once we got that, then you understand all the problems with Russia, you understand the tension with the EU. 426 is a good episode, 426.nashownotes.com. There is also, we are, the two of us are accepting of the fact that we are in a petroleum economy. Yes. Which a lot of people are just in denial about. And it's not just what you put in your motorized vehicle either. It's, look around you, everything. It's the paint, it's your belts, it's the paint, it's your rayon shirts. It's your Crocs. It's everything, Crocs, the Crocs. Crocs. It's all petroleum products. Exactly.

1:27:50 Okay, onward. He says, seven countries in five years. Okay, democracy versus republic forms of government. We talk about that every so often. You know, this is one of the things that should be taught in high school. Thank you. And we can't really pick up that much slack without boring people to death. That's also not what we do. I mean, we do need to educate you. We're here to deconstruct news. Yeah, we're trying to help you understand what the bullcrap is, how it's made, why it's made, and what's ultimately behind it. And to some degree, on a grand scale, what the moves are meant to be in the world. It's kind of a small world when you look at the map, but for us, it's like, okay,

1:28:34 This is why this is happening. is a perfect place for a rundown on the best port wines of the last 100 years, as well as notable vintages of French reds and any interesting California wines. Yeah, it is a good idea. We're not gonna do it though. For the regular show, restaurant reviews are always welcome, because they visit the Bay Area. But anyway, we do what we can. I know there's a lot of back references that really hurts. New listeners because we don't we do we do reference a lot. We say what yeah, I think what is often difficult is our nomenclature in in in off-show life and in show life I have a hard time remembering people by their actual name and so I give them names and people around me usually figure out who I'm talking about and I don't know it just kind of stuck. We do a lot of that on the show and we have nicknames for everybody usually disparaging

CHAPTER 22 / 34 Discussion

Audiophile Gear, Speaker Setups, and Professional Backgrounds

Technical details of the hosts' home studios are shared, including the use of Dahlquist DQ10 speakers and Cerwin Vega 15-inch woofers. They discuss their professional backgrounds, including one host's ongoing column for PC Magazine and the "DHM Plug" with Andrew Horowitz. A key production detail is revealed: one host does not use headphones, relying on precise mic placement and noise gates to prevent feedback.

dahlquist dq10· cerwin vega· electro-voice· pc magazine· andrew horowitz

1:29:38 Yeah, they tend to be. That's hard for people to catch up. It's just one of those things. Now, finally, he says, this is kind of interesting, he says, I'm a loudspeaker guy and only twice in 10 years have you said anything about your home speakers. Okay, my speaker setup currently is a combination of speakers that I have rigged together, but my favorite Normal speakers are Dullquist DQ10s, which can be had for about 600 bucks if you shop around. But you do need subwoofers. Now he says you need at least 12-inch woofers, or I made that opinion, but I said I have 15-inch woofers. I actually have two sets of 15-inch woofers. They're not JBLs. They're two very large boxes of Serwin Vega 15-inch woofers in a

1:30:28 I had a friend of mine, here's this back story, a friend of mine used to, still is a major speaker designer, and while he was working for Sorwen Vega, he sent me these two boxes of Giant Woofers, and I've been using them ever since they're dynamite. And so I don't know if they're even available to the public. Turn down your speakers! Another classic. Another classic remember that oh, this is something that needs to be mentioned since it is an all-out show in all the other It's in all the other 200 dot foo episodes John does not use headphones. He listens to everything on speakers in his studio which Was a problem for a while there For a number of reasons that that's actually how we started using noise gates Is that because I could hear my voice coming back through your microphone with a delay of course thanks to Skype and

1:31:20 Yes, it was horrible. I had to turn the speakers way down. It worked in some environments where the speakers were a mile away. There's some magic distance you can put the speakers and I had them way out there. But ever since he got this thing perfected, I get the same speakers anywhere. It just doesn't bounce back on him. Don't have any issue at all. But it is a style of radio, just call it radio. Not using headphones that is, uh, you know, I can't do it. You can, you like it, you prefer it. I can't, I need to hear exactly what's going on and you just, no, for some reason you don't, yeah.

1:31:58 You don't need them. I really like it a lot better free air. And I got this first time I ever saw anyone professionally use it was when I was floating around promoting a book and I got to go to a lot of radio stations around the country. And the one thing I noticed is that no two radio stations are the same, which is anything but standardized. And I was up in Vancouver, Canada. There's a talk guy up there named Bill Good. And Bill Good was free for me, wouldn't even let me put, you know, we, two of us had a microphone and we yacked away and it came out fine. And then I started various over time, I developed the ability to do it because you do have to be a little conscientious about your, how you're miking yourself. Exactly. And you, it's, and every once in a while, I kind of, I kind of go off axis like this.

1:32:47 But generally speaking, I'm where I'm supposed to be. You're a professional. I'm a professional. Professional pronunciator. Here's a question from where to go. My question from Jeff J2H. John, what other jobs do you currently have besides the show? Right now, I'm just writing a column for PC Magazine and trying to finish some books. I also do the DHM plug. Yeah, I was gonna say, I also do DHM plugs, absolutely. Yeah, the DHM plug with Andrew Horowitz is, we run it on Tuesday and he runs a chat room live, live stream too. And I like that because I used to always have a job working for some financial publication and this keeps me in the game. I get to, you know, hear what's going on with, because Horowitz is in the business. Yeah, yeah. Yeah, I don't have any other job. This is my job. This is what I do.

CHAPTER 23 / 34 Discussion

Bitcoin History, Joe Rogan, and Flat Earth Deconstruction

The hosts touch on their early involvement with Bitcoin, dating back to the "Daily Source Code" era, and their lack of interest in selling their remaining holdings. They express a desire to appear on the Joe Rogan Experience to reach a larger audience. Additionally, they briefly address their past deconstruction of the Flat Earth movement, noting they only cover it when it appears in the news.

bitcoin· joe rogan· flat earth· monsanto· daily source code

1:33:45 Brian Brian Edelen writes has anyone ever contacted either of you two guys after they've been featured negatively in a clip deconstruction Maybe a PR person or an angry fan base of that person We remember anybody getting irked by our presentation. No, I can't remember I mean lots of people get irked about stuff we say no I, you know, I, why would they? You mean like a politician or a celebrant? Yes, or a PR person that doesn't want us talking about something like Monsanto. I mean, we, our older, older shows which concentrate a lot on Monsanto, we even had a jingle that we haven't played for a long time.

1:34:31 You'd think they would be the ones that would, you know, hold us. No, honestly, I think people just think, that's a podcast that gives a crap. I honestly believe you're right. Yeah. And they're wrong. They're absolutely wrong. It's like, You know, it's like even people always say you should get some press, get a PR. We've done this from time to time. We've tried to do interviews. None of it really works. You know, if if we could get on Joe Rogan show and I'd like to let everybody know I'd love to go on Joe Rogan. John would love to go on Joe Rogan. That's never worked out. I've never been officially invited. I don't know. So that kind of stuff works very well. Yeah, because he's got a good audience. A big one. Yeah.

1:35:18 Does Adam still have his bar of gold and all of his Bitcoin asked dr. Chris well the bar of gold no No, we lost that in divorce one. I do not have all my Bitcoin I still have some but I'm I'm not really gonna sell it. I Got it for nothing. I got it from listeners from the daily source code You know it was just like yeah, you know you said when it was you could you could you bought a pizza for a thousand Bitcoin and And I don't know, I think I live true to our standard of what Bitcoin is. I don't care. Maybe one day it'll be a million, yay! Not that you can sell it all. That's the little secret about Bitcoin, even through the exchanges. You can sell, I think, $2,000 worth a day. Now, that's really gonna work. Okay, here's a beauty. We have these listeners, Jeremy being one of them.

1:36:16 Canada in the morning, please, please, please, please take a good look at the Flat Earth Movement. It's real and you would not want to miss the opportunity you have now to be on the cutting edge of the discussion. Either way, I will always be your lifetime supporter. Stay flat, Jeremy. Well, we did a couple of Flat Earth episodes. Yeah. Actually, and it was very difficult because John you know of course would just scoff at every every 30 seconds I don't remember what episode it was it was it was not that long ago. Maybe it was about a year at least a year ago Yeah, I mean we're always on the cutting edge of that kind of stuff now. Yeah, is there anything more we can say about it No, you know there's just there's nothing else to say unless there's some revolutionary breakthrough But that's also not what we do

CHAPTER 24 / 34 Discussion

Pronouncicate Nomenclature, 33 Signaling, and Peerage Rings

The term "pronouncicate" is traced back to 1980s radio host Scott Shannon. The hosts also discuss the significance of the number 33 in news reports, which they view as a potential signaling mechanism within the intelligence community or a nod to Freemasonry. Details of the physical Peerage rewards, such as custom rings and sealing wax, are contrasted with the "symbolic" nature of British knighthoods.

33 signaling· masons· peerage· scott shannon· sealing wax

1:37:13 You know, we deconstruct news stories. Yeah, if it's in the news, then yeah, then it'd be fun to talk about it, but it really isn't. And nor do I expect it to ever be. You know, it's interesting no one's asked about our climate change skepticism. Not yet. I mean, it might be in these notes because we're going to get through some of these. We're getting on with the show here. Okay. It's from Dean Wormell. He says, uh, when Adam Knight's producers, he uses the phrase, I am very proud to announce the Knights of the KB. What does KB stand for or mean? I've never said that. I don't, I don't remember it either. I think what he's hearing is I pronounced a K V.

1:38:03 That's what I say. I hereby pronounce the K-thee. So maybe he's hearing K-B. Oh, pronounce the K-thee, K-B. Yes, pronounce the K-thee. Yes. Pronounce the K, I don't think is a real word. It's something I picked up in the 80s, in the late 80s from Scott Shannon. Because he would say, he would talk about, I'm your pronounced-icator on duty. And it just kind of stuck and I don't know, I like pronounced-icate. It's a stupid word. But it's for our official ceremony. So it's, it is, let it be so written. Pronounce-icate thee. Now some people have taken advantage of this show questions moment. I'm going to read one of them. I'm going to ask you the question. Why won't seagulls fly over bays?

1:38:49 What question is this? Because they would be bagels. Ah, okay! Are there any more legitimate questions? There's plenty. Is there any on the Twitters? No, no, no. Actually I just retweeted to see if I can get some more. That's really not that much. Maybe I have to look at your account. It should go to you as well as me. Okay, what Brian Walsh? What are the night levels and what do they mean a G night can assign name but no territory? What are the in show donation levels 50 100 gets names and locations only is a good question? What are the best ways to send money and a note if you want to avoid PayPal fees? Would this method also apply for donations by check? Well, the best ways is just drop a check in the mail. Yeah

1:39:46 with a note, box 339 El Cerrito, California 94530. I'll repeat it, box 339 El Cerrito, California 94530. And then you could put in, you know, send some bottle of wine. No, you don't do that. Well, you can if you know how you do it, but most people get caught. The night levels, well, go to dvorak.org slash peerage dot htm Which amuses Adam to no end it does yes, and except it needs to be caps htm No, it doesn't I it's not the way. I have it done. I don't I the cash may actually destroy it it might not work

1:40:35 Oh, here's a good one. This one I sent you earlier. You want to explain it or is it all evident on that one page? It's all on that one page. It's got all the levels. The executive producers, associate executive producers and the below 50s? I don't think that's on that page. Dvorak.org explains a little bit of the executive associate executive producer stuff, but what we have is that 200 bucks you get an associate executive producer at 300 or 333 is what it's supposed to be. You get an executive producership and then you can write a note and we read the note.

1:41:13 And you get to use that on your LinkedIn. That's the most important part. And elsewhere. I mean, it's real. It's a real thing. The knighthood thing is a little more symbolic. But you can call yourself Sir. No less symbolic than the British Queen gives out knighthoods. That's my thinking. That's my thinking. It's no less symbolic than a knighthood from the British Empire. With our knighthood you get a cool ring and sealing wax and yeah, they don't give you nothing So they give you something to hang around your neck like you're gonna wear that anywhere the ring now. That's a usable object Here's a question Who is that dude void zero you guys keep talking about? Dude void zero yeah good question guy It became very

CHAPTER 25 / 34 Discussion

Infrastructure Support, Void Zero, and IT Professionals

The technical backbone of the show is credited to "Void Zero" (Mark) and a team of "weapons-grade IT professionals" who manage the content distribution network. After the collapse of Mevio, the show moved to a private infrastructure using OVH servers to handle the high volume of downloads. The segment acknowledges the essential behind-the-scenes work of the "dudes named Ben" in maintaining show stability.

void zero· ovh· content distribution network· ben rose· it professionals

1:42:07 When I was in Los Angeles, and now we're talking 2013, I think, it became very expensive and very tedious to manage the amount of downloads that were being performed on our shows. And I would say expense was really the number one thing. Like, holy crap. And Gitmo Slave and Mr. Oil set up an infrastructure for us. And they found this, I think it's called OVH, a really cost-effective way to set up kind of your own content distribution network. And they were using that for their own stuff and they were hosting us. And over time,

1:42:47 They went on to do some other things and then void zero mark who lives in Croningen in the Netherlands He was already kind of a part of the crew and he said well You know I'd really like to take this over and I'd really like to Set it up properly and get all the right things and all the right redundancy and then here's Here's what it'll cost and we looked at it. We're like holy crap. That's very cool. You want to do that and and then it fit within the budget of the show and And he's been doing that and now he's had a couple other people come in and out and help him throughout the years. Sir Ben Rose is helping, Aaron Error is helping. This is a lot of professionals. These are weapons grade IT professionals, real dudes named Ben. And they know what... Go ahead. I'm going to say this. We have to remember that when we started this show, we were doing this for... We're doing it on the Mevio.

1:43:38 server infrastructure. And so it wasn't costing us anything and it was but that didn't last forever because the company's not even there anymore. And that's when we had to start making these changes. Adam took care of most of it with you know His suave debonair way of way of moving these things around. Good work, Adam. Thanks, John. And I should point out that John does everything else when it comes to administration of the show and Eric the shill and Mimi. We need to mention these these good folks. Buzzkill Jr. working for us. That's right. And that's right. Until they said, screw this. I can make real money coding JavaScript. What am I doing?

1:44:17 So we have a question that applies to Adam. I think it's an interesting one. This is from David Bush. Why does Adam say he has Tourette's? I've never heard any evidence of it. Ah, Tourette's comes in many forms, my friend. Now, I do have a mute pedal specifically for this reason, which I acquired only in the last two years, I think. And that was during a sniffing episode. Yeah, where I just had this incessant need just talking about it makes me want to do it So I'm gonna try and not do that I can assure you has Tourette's I've yeah, but it's mainly tics. It's mainly tics tics Most people who have tics have Tourette's but often It manifests his way in itself in very interesting ways Thank God for the mute pedal. Let me just tell you that but I can control it to some degree and

CHAPTER 26 / 34 Discussion

M5M Terminology, Lois Lerner IRS Scandal, and Dude Named Ben

The origin of the term "M5M" (Mainstream Media) is explained as a leetspeak-inspired variation of MSM. The "Dude Named Ben" meme is traced back to a 2014 IRS scandal hearing involving Lois Lerner and the disappearance of 32,000 emails, where an IT professional was dismissively referenced during testimony regarding destroyed hard drives.

m5m· lois lerner· irs· treasury department· mainstream media

1:45:15 Certainly the guttural stuff. I got that. I can, you know, that's why I never wanted to do television. I hate television because it's, I can't do it anymore. I can't even keep my head still. It's horrible. Yes, the second question. What is M5M? Well, I think this stems from, it may stem from a whole conversation about the boob donation being 8008 and Hacksaw where you use a one instead of an I and a three instead of an E and you use a five instead of an S. So it's mainstream media. Yes. MSM or M5M, which has now become our thing. And that really caught on surprisingly. Yes. People use it constantly.

1:46:00 Why can't you guys say sysadmin? Isn't that dude named Ben thing played out? Wow. I have no idea what he's trying to get at there. Well, maybe... Let's see... Do I have that clip, dude named Ben? Because it came from the Senate, didn't it? Yes, it came from the Senate with, I think it was Chaffee. Yeah, I think this is it. No, that's not it. It's a jingle. It was Chaffee grilling somebody and she couldn't come up with an answer and she says, it's some dude named, or guy named Ben and he said... No, he actually said it was somebody named Ben and then he said, what, it's some dude named Ben? Yes, that's right. That's exactly what he did. What was her, it was a... And that's where it came from. It was Lerner.

1:46:50 Was it Lois Lerner? Yeah, I think she's the one that said it, wasn't it? Maybe, could have been. That's when all the data, tax data disappeared or something. She should be in jail. Why does Adam shout through the opening of the show? Oh, well, that's all part of it. I mean, don't you hear where this... It's a weenie in the butt moment. I'm not really shouting, I'm jacked up. Jacked up. And I'm also timing it, I'm back timing what I'm saying so that it fits in the jingle and I want to have a good cue for John so that he knows that he can come in and do his Zephyr thing or whatever it is. The Zephyr went by. Yeah, if it bothers you, fast forward. John Tucker asks, you say the word ISO quite a bit. What is an ISO? Another great question. A good question, not a great question, a good question.

CHAPTER 27 / 34 Discussion

Research Methodology, RSS Feeds, and Newsletter Strategy

The hosts detail their research process, which involves monitoring thousands of RSS feeds via the "Freedom Controller" and watching hours of C-SPAN and cable news daily. They emphasize the importance of their twice-weekly Mailchimp newsletter as a "reminder" to listeners, noting that it significantly impacts donation levels by keeping the show top-of-mind.

rss feeds· freedom controller· mailchimp· newsletter· c-span

1:47:44 Iso, ISO. We explained it once before but yeah, means isolated. Isolated, yeah. Typically an ISO in broadcast is either a microphone or a camera which is recording separately from the main signal from the main program so that you can later take bits out of that and use that separately. An ISO, ISO just a abbreviation of isolated. This is from Charles, Charles Couch. How many hours a day or week do you guys spend watching news or other M5M, there you go, M5M broadcasts? All right, you go first. Well, I'm going to add this to it so we can answer both at the same time. Other than M5M, what sources do you guys use most frequently for research including public commentary or public sentiment? All right, I'll go first.

1:48:36 We, uh, I watch television mostly to get content, which annoys everybody in the family when they're hanging or want to watch something else. Uh, luckily nobody likes TV, uh, probably, I don't know, three or four hours a day, every day, at least sometimes longer. If I get caught up in something on C-SPAN, which is, is where you can get caught up in something. Yeah. I'm guessing it's about right, three or four hours a day. Then I'll pick up stuff from the internet too, because there's a lot of places that just play, for all practical purposes, play clips. Right. I watch much less television than you do, I think, but I have all day, the entire day, I'm either listening to, I'm switching between

1:49:22 CNBC, CNN, Fox, Fox Business, MSNBC. Rarely do I listen, that's just listening, I'm just listening to it and I'll pick stuff up and I know that I can then go back later and find it online which is where I have the whole system for recording clips which is pretty easy. I subscribe to, I think last count probably 4,200 RSS feeds, which I've built up throughout the years and it's all in a proprietary, well, it's an open source, but it's proprietary system, the Freedom Controller. And that's all part of the show notes, which, you know, really it flows very nicely. So stories are not only aggregated, but if I want to keep that story and put it into the show notes or use it for the show, then it creates an offline version. And there's a whole bunch of cool things about it.

1:50:15 Then on show days, I subscribe to a number of YouTube channels and I'll look at those and see if there's anything there that I like or something that I made a note about. I'm continuously sending notes to myself in email that I've tried many other ways but just works best for me. I just send a note to myself in email because I can do it anywhere I am, any device, I can do it. And then, you know, so the morning of the show I'm up probably, yeah, quarter to six. my time and I'll start collecting all those, seeing what those stories were about, maybe I've already written some stuff down. But also, I get so much from the producers. I mean there's a lot that comes in and a lot of it is unusable but still, someone sends me something I'm gonna go take a look at it.

1:51:04 So there's a lot that I get from there. So I'm really consumed by it all the time and then Tina the keeper She comes home, and she's got things that I haven't even heard of she's got a whole different Source of stuff and she's feeding me articles. It's a lifestyle. It's not it's not and to me It's not like number of hours. It's what I do. It's all the time Sir Charles finishes up with this last question. He has a group of them here. What should I buy my wife for Christmas? Dame hood, of course. Yes, of course. Buy her a dame hood. I got another question. A lot of people wanted to know about the M5M thing. It's very interesting. Interesting. And yet it's so well adopted. But so many people, they're just doing it. Eh, whatever, those guys are doing it. And you got, what does double nickels on the dime mean? And what's its origin? My impression is that it's an amount of money, but I could never come up with the actual value it represents. All right. Well, that was a, one of our, again, one of our producers. I know who it was. I believe this to be Sergeant Fred Castaneda.

CHAPTER 28 / 34 Discussion

Sergeant Fred, Double Nickels on the Dime, and 6969 Karma

The "Double Nickels on the Dime" ($55.10) donation amount is attributed to the late Sergeant Fred Castaneda, a Vietnam veteran. The hosts also discuss the "6969" donation streak started by a listener in Germany, which became a long-running show segment until the streak was eventually broken. They reflect on how these specific numbers create a sense of community and ritual.

sergeant fred· double nickels· 6969· numerology· vietnam vet

1:52:12 Okay, Sergeant Fred Who I emailed with just the other day because I hadn't heard from on the show and he was sick for a real long time He was a Vietnam vet and all kinds of Agent Orange related issues And his mom wasn't doing it's all kinds of crap going on in his life But I think he started off, in fact, he often would show up if I was somewhere in Texas even, not just Austin, but you know, I think we were in Dallas and he showed up and he would have double nickels on the dime. And that's $55.10. And he would have $55 in paper and then 10 cents taped to it, scotch taped. And I mean, other than that, and

1:52:57 There's some other ones, aren't there some other ones? There's double nickels on the dime. Well, besides boobs and small boobs, there was a couple of other things that did, but none of them really caught on like double nickels on the dime. I mean, there's, yeah, there's probably about 20 of them, but that's the only one that really caught on. No, but I mean, there was something that was comparable to like double nickels. Yeah, I know. And again, this is stuff to me is magical. When people come up with these ideas, numerology is, I'm, In my later life I've become somewhat obsessed with numerology and mathematics and the stuff that catches on with people. It's something profound. I don't know exactly how it works, but people really like certain numbers. It feels good. They're drawn to them.

1:53:45 Yeah, we had a long streak with 69-69. And we stopped. We stopped when we didn't have one. Yeah, no, the idea was we're going to go as long as we can. And then funny thing is the woman who came up with the idea, Carrie Shearn in Deutschland. She went overboard. She went overboard and we haven't heard from her. But she's the one who came up with the idea. Because she was sending us. She was doing a marathon and had no agenda stitched to her ass. Yeah, and I miss her. Good shape, too. She's perfect. Yes, and she came up with this idea and then we said well, we just keep doing we play the jingle intro is like a segment. Yeah, and until until nobody gave him one day.

1:54:31 About a year into it took about a year nobody gave 69 69 they tried to restart it, but we refused Now it's done is dead it's over. It's gone. Yeah, not to be resurrected Dale Asks he just wants to know what mic you're using and headphones well. We know your headphones. How about your mic? I'm using a right now. I use a bunch of mics. I've changed mics. I like the the Heil PR40, generally speaking. But right now I'm using a condenser mic that is a, I think it's a CAD, a CAD, and I think the model is the 9000 or the 3000, which is the Chinese mic. Yeah, people don't know, but you're really into microphones and building your own microphones and getting elements from China and doing stuff. Yeah, well, I'm not that nuts, but

CHAPTER 29 / 34 Discussion

Microphone Preferences, Sony Headphones, and Studio Reference

A technical breakdown of current studio gear reveals a preference for the Heil PR40 and Electro-Voice RE320 microphones. Both hosts use the Sony MDR-7506 professional headphones as their primary reference, citing their durability and flat response. They discuss the importance of using standardized gear to ensure consistent audio quality across different recording environments.

heil pr40· electro-voice re320· sony mdr-7506· microphones· headphones

1:55:28 Yeah, I have a collection and it's not a big collection. I have a I know a friend of mine used to work at the tech TV is a real mic collector and he's got everything imaginable and it's just like He's got Neumann's and all the Sennheiser's old ones from the 40s. I kind of nice ribbon mics, so I'm using the electro voice re 320 which I like that you're using the road I was using the road Procaster and Yeah. Until Gene, Sir Gene, the Duke of Texas. He said, you know, try this mic out. And I never gave it back to him. I said screw that. I bought a new one and sent it. I didn't even want to risk buying the same model that didn't sound any different. What is Gene's, what was it, EV what? It's the, it's Electrovoice isn't it? Yeah. Electrovoice. Yeah. But it's the RE Romeo Echo 320.

1:56:27 Now, headphones, I'm very particular about my headphones. Because I've been wearing headphones since I was 14. And looking at my volume knob, I have about half a notch left. This is not a good thing, by the way. It's not a good thing. I used to be real part. I want over the ear. I want them to close. I want them to fit snugly I want I did you can't have anything leaking to see I can put my cans these aren't that big actually this is the the Sony MDR 7506 professional and from time to time you can get a deal through Amazon. It'll sell them for like 90 bucks or something And I have three pairs of them. I do wear them out after a while and

1:57:23 What are your ears sweat? No, the cables get all frayed and and yeah, they got a lot of use They're on they're off. They're hanging. They're falling eventually they do break after a while, but you wanted to get the it's the 75 or 6 professional Anything else is not a good reference So they have too much low end and you can get fooled by that if you really care Tim Kilkenny He says, I'm familiar with the Mike Singletary's legendary rant about hitting people in the mouth, but never figured out how it became the official formula for the show. I've been listening since 2013. I've never heard the original of this phrase mentioned. Thanks for all you do. I'll play this just so you can hear it. Our formula is this. We go out, we hit people in the mouth.

CHAPTER 30 / 34 Discussion

Mike Singletary Rant, Hitting People in the Mouth, and 49ers History

The "hitting people in the mouth" catchphrase is traced back to a local San Francisco commercial featuring former 49ers coach Mike Singletary. The hosts explain how this clip was combined with the "Shut up, snake!" kicker to create a signature show element. They analyze Singletary's tenure as a great recruiter but a poor manager, drawing parallels to broader business and sports leadership.

mike singletary· san francisco 49ers· shut up snake· football· coaching

1:58:27 I'm pretty sure someone sent that to me, pre-mixed like that, and I had no idea what it was. I sent it to you. Are you sure you sent it to me? Oh yeah, because it was one of my favorite... It was a... Because they played it, it's a local commercial. I remember you telling me what it was about, I didn't realize you had sent it to me. There's a lot of stuff we don't remember. Well, this is a local commercial they played here to get fans for the 49ers to go to the games during Singletary's era when he was the coach. And what had happened is I sent it to you and then we played it once and that's kind of what evolved, I think, the hitting in the mouth. And then for some reason, I'm not sure why, but you adopted it. You took it and started playing it every show at that one moment, like one of your superstitious moments. And then you added, out of the blue, you added the kicker. There's a kicker on that thing now. Shut up, snake!

1:59:36 And here's the nutty thing. So these are two clips, and I always play them the same way, and logic would dictate that I kind of mix that into one clip. But I've just been doing that for so long. I start one, and then I start the second. Yeah. And usually I play in between the little dip there at the end. Well, this particular combination of another thing you did, and just stayed with it, I never said anything one way or the other. I like it. But the, uh, it just, those two clips together was actually a moment of genius because they really sound like a clip, like a whole thing. It's not like two things that you've combined because it's got the same tone to it and it just stuck. And I, it was, uh, I can tell you approximately when this came into be because it was the last season of Mike Singletary, uh, in San Francisco. And by doing a quick search,

2:00:37 Mike Singletary. Mike Singletary. I have no idea who Mike Singletary, oh he's the coach? Yeah, he was the coach. And he was a tough guy. Tough guy. Oh, right, tough guy. And he was with the Niners from, let's see, I'm looking at his wiki page. Career history, San Francisco 49ers from 2009. Oh, he's the head coach from 9 to 10, he was there for two seasons. And door three nine no just nine and ten so he this had to be done probably in that era of show 100 Hmm really that long ago. It's a long time ago. That's why you don't remember any of it because it was really just too long ago. No I was Well you're baked to this the other thing that's what was going on so he was

2:01:31 He was, you know, he didn't do it, he was a lousy coach, but he was a great recruiter. They put together this fabulous team that when the next coach came along, they could do, you know, they had all these great players, so it didn't take much. And then of course, I've noticed this in football and sports and business. You can put together a great team, but you can't manage it well. But the next guy that comes along, because you're such a lousy manager, everyone looks up to the new guy, but he's got all this stuff in front of him, he's gonna just kick ass. And when the new guy starts putting his guys in, the team falls apart again. I've seen this over and over and over again, is what happened to the 49ers. Anyway, yeah, so that's been around.

CHAPTER 31 / 34 Discussion

Israeli Moon Bases, Jobs Karma, and Nancy Pelosi

The "Jobs Karma" jingle is revealed to be a mashup of a Nancy Pelosi "jobs, jobs, jobs" rant and a clip of cheering children. This evolved into various forms of "Karma," including "F-Cancer Karma," which listeners claim has had positive real-world effects. The segment also briefly mentions the "Israeli Moon Bases" theory as a classic example of the show's more eccentric deep dives.

israeli moon bases· jobs karma· nancy pelosi· f-cancer· numerology

2:02:15 Here's a question Have you ever had any interesting theories regarding space over the years asks smile for camera on Twitter space? Yeah, like what well there's moon bases Israeli ones to outer space well, okay, and Space I'm a big fan of a big fan of the space elevator. Yeah, that's a good one. Oh We don't do that too much anymore. No, no. We don't have time for it. It's jokey. We don't have time for it. Even though I truly know about the Israeli moon bases. Yeah. To the point that you were denying that they were Israeli for a while until somebody finally found the clip. I'd forgotten. Yes. But they are Israeli. Another, here's another question about FM5M. I think it is. John, where's your keyboard? Great question.

2:03:18 I think I figured out my own already. This says Dave Duncan. But you've been saying NJNK a lot after donation notes. Okay. And I had no idea what... This is one of the reasons you probably should listen to the donation segment. Yes. Because there's a lot of stuff that shows up in there that becomes litany. Based on the hours of contact, I think I figured out what it means. No jingles, no karma. Yes, yes. Maybe I missed the introduction of that abbreviation. He says maybe we should put a glossary together. What's interesting is no one has asked about the origin of karma. They haven't. I'm gonna ask you right now. When did we start doing that? Well, that wasn't us. Again, this was a suggestion by... I think somebody suggested it or...

2:04:11 Or we... this one I have to research again. This will be in the next show, I guess. One of the... not the next show we're doing in this linear fashion, but the next version of 200 Point X. I do remember this. It didn't really catch on until someone sent us the karma jingle. Which is this. You've got karma. And there's a question about who's the voice in that thing. And I think it's been... Revealed a couple of times and we keep forgetting and I don't even know if she does the show I don't think so. I've forgotten to I really don't remember and one of them and it's that jingle seems to have some magical effect imagined or otherwise and Once it started we started using it. We started getting feedback there I got a job just after you played the jingle and the next thing you know we're doing it all the time Yeah, no, and then it was I need jobs karma

2:05:06 And again, I don't know where this showed up. I know where it showed up. Well, I started with... Yeah, go ahead. I developed that clip because we had play, we had been ridiculing Pelosi with this job is job is jobs thing and I found a clip of the little kids screaming, yay. And I put it together. Perfect. You thought it was hilarious. I still think it's hilarious. It is funny because it's just weird. And so that began the jobs, then you attached it. to jobs karma because somebody we were given karma away for all kinds of stuff but then you decided to make that special karma with the with the jingle and now we've got like three or four versions of it yes that we're testing and they're in the lab that's a tough one that's a tough one to get to the bottom of but it does as you said imagined or not it does seem to do something for people how many times we get a note saying oh i asked for jobs karma got a job

2:06:07 And then we got the F cancer karma all this stuff now I don't think we've cured cancer, but it certainly makes people feel better, and I think there is something of the power of People hearing something and I don't know there's there's something to it as you said imagined or not I tend to Air on the side of there's something to it for real. Yeah. Yeah, I'm not gonna argue the point Let's see what else we got. You know how much time we got? We're probably out of time, so we're not going to get to a lot of this stuff. Well, let's just do a couple more. Yeah, we are getting up there. We're done. A couple more. Okay, let me try Chris Cochran and see if he's got anything.

CHAPTER 32 / 34 Discussion

Newsletter Importance, IRS Email Recovery, and Listener FAQ

The hosts reiterate the necessity of the newsletter for maintaining listener engagement and financial support, contrasting their independent approach with the "puritanical" restrictions of corporate broadcasting. They revisit the Lois Lerner IRS email scandal, playing a clip about the recovery of 32,000 emails from backup tapes. Plans for a formal show FAQ and glossary are discussed to help new listeners.

newsletter· mailchimp· irs· lois lerner· faq

2:06:52 Just all he's got a actually is more of an interesting point about are the opens yes does male chimp count opens on an iPhone they better and they do because most I think is like 70% of the people that nowadays you know that's nice we didn't really talk about we didn't really talk about the newsletter which is I think an important part of our model Yeah, no one really asked about the newsletter. I'm asking about the newsletter. It's something you do twice a week with the... it takes a lot of effort. You don't just whip up a newsletter. Sometimes I do. No, you don't. But the newsletter came about because... Well, it's important. We need to remind people what's coming up. We got a show and... And let me mention something that the other podcasters don't ever think about.

2:07:43 This is for you guys. You're invested in your podcast, you're doing it daily, you're doing it weekly, whatever you're doing occasionally. Nobody else but you is thinking about this podcast. They will forget about it, they may enjoy the podcast, they may think it's fabulous, they may send you money, they may buy products, they may use your codes, but they're not thinking about it. They're not like when Tuesday morning comes around, your podcast is not on their mind. So they really do need to be reminded that you exist. And not just once in a while, they have to be routinely reminded that you exist. Now I knew this,

2:08:24 But I didn't do the newsletter until, I don't know, two or three or four years into the donations thing. And I started doing a once a week newsletter. I knew it would, it did jack up donations. Not always, but it did enough so that you had to do the newsletter because once you see the difference between your income with the newsletter and without the newsletter, it's obvious you should have to do this damn newsletter because people just don't, they're not thinking about you. You're not the most important thing in most people's lives. And then at the point where I was, I felt I could do twice a week. And I know if I did a third newsletter a week, it would probably help too. But that's the reason. It's to keep people, keep you in their thoughts. And it has to be done. But like everything we do, it's entertaining. You try to put some of the nice spin to it. Oh, I try to make it funny. And you do things that I don't think any other broadcast organization would put together a product like you do.

2:09:25 No, because you get fired. Yeah, why is that? Why do people get fired over things that are clearly successful? It's very puzzling to me. It's a fact. It's the puritanical nature of broadcast. No, it's the incompetent nature of broadcasting executives. There you go. Ah, yes, the execs. They're hired. They're suits. They're hired for a job and they, you know, everything reflects them. So if something went south with some bad version of the newsletter, you know, you put the wrong cuss word in there or something is offensive or somebody came back. They don't come back on the newsletter. Or worse, the advertisers start complaining.

2:10:07 Yeah, well that's what it always is. That's what it is. We don't want to piss off the advertisers who are God in mainstream and in all commercial broadcast. A couple more quick questions. James Buell, what are the dudes named Ben? We thought everyone knew but it's a computer sysop, sysadmin. Here, I got it. I think this is the clip. It is the closest the Treasury Department Inspector General has come to acknowledging potential criminal wrongdoing in the Lois Lerner affair. Are you investigating any potential criminal activity? The entire matter continues to be under active investigation, yes sir. For potential criminal activity? Yes. That revelation during a rare late night hearing in which the IG disclosed his office has obtained 32,000 Lois Lerner emails from backup tapes stored at the IRS's Martinsburg, West Virginia facility.

2:11:00 IRS officials have maintained that the emails were gone, destroyed in a hard drive crash. I'm advised the actual hard drive after was determined that it was dysfunctional and that with experts no emails could be retrieved, was recycled and destroyed in the normal process. Last night's testimony suggests the IRS made a less than vigorous attempt to track down the emails. And then when you go talk to the IT people who are there in charge of them They told you that they were never even asked for them? Is that correct? That's correct. Yeah, it's there. You got it somewhere. Let me get to Rebecca Shirky's question. What is the email situation? What is the proper address to send emails to the NOA Agenda show for donation notes? Well, if it's a donation, your note should be in the PayPal box, which is offered to you after you click on the button.

CHAPTER 33 / 34 Discussion

PGP Encryption, 33 Signaling in News, and Email Security

Security protocols for "top secret" listener communications are discussed, involving PGP encryption keys. The hosts return to the theme of "33 signaling," noting how the number frequently appears in news reports of accidents or official notices. They encourage listeners to pay attention to these occurrences as potential markers of "bullcrap" or coded communication between organizations.

pgp· encryption· 33 signaling· freemasonry· security

2:12:08 You go to a second page and there's a box there that says, or even on the first page, it says note to vendor or something like that. And then you just type in. This is best done on a computer because I think there's different experiences that pop up on mobile phones. Maybe. Sorry, I'm sorry. I'm just saying. Yeah. Maybe. But there's a box. She also asked, and did you just send it to noagendashow at devorek.org for anything else? But you could get lost. That's the problem. Now, where do you send top secret information? That's just as far as I know, it's sent to Adam using his PGP key. That's right. pubkey.curry.com. And that is and that works. And I'm very careful with what people send me on my own email server and

2:12:59 Anonymity is assured if you send it to me and specify that. He says the email situation is confusing, a confusing mess and needs a formal guide. We need a formal guide for a lot of stuff. I think the glossary would be another good example. So people get a clue. I'll tell you this. I've been working on a FAQ for about a year and I keep forgetting I'm working on it. Okay, you want me to put it on the list and remind you from time to time and it might not be a bad idea Okay, Jason rice. I switched over to my own email server for your mailings and haven't had an issue received Since then I'm good. Yeah, well that means it's not working at all you using some sort of blocking or Blacklist and we're on the list I guess I wonder what I wonder what he set up yeah, I

2:13:53 It's not working. Yeah, cuz male male chimp. They they're pretty good. They have you know They have all the authority and they paid all the all the shysters. They're vague to get delivered So yeah, usually it should come in Jim Buell says is there any reason you attach so much significance to the number 33? Oh good question. Yes This goes back to what was the name of the series Rubicon? I think that's a good point. Yeah, maybe Rubicon was part of this. Yeah, Rubicon. Yeah, go ahead. What you can get, by the way, I think they put it back up on Amazon.com. Oh, good. I would watch this series. But what it does is it expresses these codes that people use in the intelligence community, not to just communicate, but to signal. It's mostly signaling.

2:14:50 And we believe 33, we believe this for a long time. In fact, we had a segment on the show for a while where Adam would read from a Google search almost on every show for about, I don't know, about six months he'd do this, all the 33 references that are in the news, which is still probably not a bad idea once in a while. That is a good idea. Yeah, well, it's your idea. And one of the things that we've noticed is that 33 crops up in very strange places for very strange reasons. At least 33 killed in the Democratic Republic of Congo freight train. Justice League number 33. Let's see. There's a... It goes on and on. Yes. 33's everywhere. And so we've decided that it's signaling, but we don't know what it's signaling. We have ideas.

2:15:42 when it might be signaling, we don't know what, but we do mention it and we're preoccupied with trying to figure this out. And it's gotten, you know, it may be coincidental that the 33 level Mason, you know, has got something to do with it or somebody, but I think that's mostly they just took that number for that reason. It might be a nod to the Masons. I don't know. We don't know. But it's but if you see it in a news report. It's you just start noticing it and it may also be just Cop out on journos part and just like and a third 33 something like that But it's it pops up in all these official notices and stuff that often already smells like bullcrap to us Like oh, okay. There's a 33 just pay attention to it. That's all just pay attention. It's a little signal and you never know and

CHAPTER 34 / 34 Discussion

Jingle Selection Process, Backgrounds, and Show Outro

The hosts explain their process for selecting listener-submitted jingles, noting that about half are used based on their "jingle-worthiness." They conclude the special introductory episode with a final reminder of their donation URL and holiday wishes. The show signs off from its respective locations in Austin, Texas, and Northern Silicon Valley.

jingles· podcasting· thanksgiving· austin· silicon valley

2:16:33 We have time for two more. Okay, two more. We'll do two more. And sorry for everyone else who wrote in, but I think you got your money's worth anyway. Well, here's one. This is kind of inside baseball by Miguel Gonzales, or Gonzales, Mexican. Do you really have two sword sounds for the Knightings? I always find it surprising that John can find his keyboard, or, but no, he can't, he should say can't find his keyboard, but finds his sword sound. There it is. Explain the producership. It's not really the same as Hollywood because producers never get the economic returns from the show. If you know Hollywood, geez, those guys. The only thing we can't give you is, you know, hookers and blow. Although those are if you're a knight, that's what you get. But with producerships now. Yeah, you said it. You said it best. If you know a Hollywood works.

2:17:33 But you are but you are doing this because you get value out of it, so yeah the value you receive is what you put into it Emilio Hernandez What is the process for selecting jingle worthy? Jingle worthy jingles worthy for show debut you Can both of you talk briefly about your backgrounds, we did that already, and how they helped you become the best podcasters for the best podcast in the universe. I think we discussed a little bit of that. But what about the process for selecting jingles? I'm not sure what he's asking. Well, like if he had a jingly that he put together. Oh, here's how it works. You send it, I listen to it. If it's shit, I'll say thanks.

2:18:15 It might use it might not if I think it can be fixed. I'll give you feedback. That's pretty much it It's yeah, yeah, it's probably used about half the jingles were sent. Did you think that's a good number? No more than that. I'd say more okay He wants to do some jingles. That's my guess, but you do a few because it's like the art Okay, well so while you get the hang of it If you see something, say something. Fact check false. Bullshit! Just say no. That's one mother I'd like to f***. Shadow puppet theater. To the gate, to the gate, to the clarinet gates. Look for humanity.

2:19:22 It's the no agenda swine flu mini- The science is in! Science! There's just a little smorgasbord of variety that you could, uh, pursue. And I have one last question, I'll just read this one. Where in the world is Victoria Noodleman Kagan? From math. Wait, we have that one. We don't know where she is. We, nah, we, nah... I think she's retired. She's doing something. Look, she's up to no good. She's up to no good. Victoria Kagan-Noodleman. Yeah! Alright. I think that'll do it. Well, that was, uh... time worthy. Walk down memory lane. Yeah, it's kind of odd. It is kind of odd. Yeah.

2:20:22 Well, we will be back to deconstructing very soon. We have another special show, which will not be like this one coming up. And then we blast off until the end of the year. God knows what's going to happen. Yeah. Well, a reminder, Dvorak.org slash NA. Yes. Continue your support, please. And have a happy Thanksgiving, what's left of it. And I know you're celebrating because you're certainly not listening to this. That's what this podcast is for. Listen later. All right, coming to you with the special show X here in downtown Austin Tejas, capital of the drone star state, still FEMA region six on the governmental maps in the morning, everybody. I'm Adam Curry. And from Northern Silicon Valley, even though I'm not really here, I'm John C. Dvorak. We will return in just a few days right here on no agenda until then. Adios, Movo.