Topic: Podcasting Gear

A TASCAM audio interface was discarded after listener feedback indicated it lacked the expected high-quality production sound. Comparisons are made to the MXL 990 microphone, which was noted for having a distracting "comb filter" effect that made it unsuitable for professional use. The technical limitations of the TASCAM and Roadcaster units are criticized, specifically regarding their inability to provide professional control over the audio chain and their tendency to produce a "calming" NPR-style sound rather than an aggressive, engaging tone.

A review of the Tascam MixCast 4 reveals significant engineering flaws despite its sleek form factor. The device lacks a headphone monitor for the final compressed output signal, forcing users to record without hearing their actual levels. Additionally, the eight programmable jingle buttons are restricted to single memory banks when using multi-track recording mode, a limitation compared to the Rodecaster Pro.

A review of new audio equipment features the Audio-Technica M50x headphones and the upcoming Tascam MixCast 4 console. The MixCast 4 is compared favorably to the Roadcaster Pro, specifically for its superior noise gating capabilities on USB and Bluetooth channels. The hosts invite Tascam to send a unit for professional testing and feedback.

The transition from laptop-based recording to professional-grade hardware is detailed, specifically the adoption of Universal Audio devices. This shift in technology reduced latency issues and moved the show toward a higher standard of audio fidelity. The hosts discuss how improved gear changed their attitude toward production, fostering a more perfectionist approach to the broadcast.

The hosts discuss the progress of an Indiegogo campaign for a new hardware project, noting supply chain issues in China and Taiwan. They also address technical questions from a donor regarding the microphones, compressors, and software used to achieve the show's high audio quality.

Adam Curry and John C. Dvorak open Episode 794 of No Agenda from Austin, Texas and Northern California on January 28, 2016. The hosts discuss a major overhaul of their broadcasting equipment, noting improved audio clarity and reduced latency after three and a half years with the previous system.

Adam Curry and John C. Dvorak open episode 690 of the No Agenda show from Austin, Texas, and Northern Silicon Valley. The hosts discuss the longevity and reliability of the iRiver digital recorder as a backup device for broadcasting. They note its ability to record for 15 hours on a single AA battery and its pre-iPod era design.

A logistical challenge involving a missing microphone mount for a Rode Procaster leads to a visit to Sam Ash Music in New York. The discussion emphasizes the importance of equipment checklists when traveling with a portable podcasting setup to avoid improvised solutions like gaffer tape.

Adam Curry and John C. Dvorak open episode 611 of No Agenda from Austin, Texas, and Silicon Valley. They discuss recent travel to Mexico and the technical requirements for producing the show on the road. Curry notes that his custom gear builder, an Amazon employee, has stepped away from the project, necessitating a new portable "e-giblet" rig.

During the recording, a piece of equipment falls and shatters, requiring a quick repair with a soldering iron. The hosts joke that the accident was a result of "subconscious sabotage" due to missing a "Cinco de Mayo" ritual, leading to a broader discussion on how people inadvertently sabotage themselves when they are stressed or superstitious.

Adam Curry and John C. Dvorak celebrate the 200th episode of the No Agenda show from their respective locations in Southern California and Silicon Valley. Dvorak discusses his new studio setup involving gear from the UK, though he notes he is still recording on a Macintosh due to a lack of a hardware recorder. The hosts announce a special "backstage" episode 200.5 for donors.