9 chapters across the catalog
The podcast production has transitioned to a Linux-based environment after 18 years of operation. One host details building a custom playout system using Python and Qt libraries, emphasizing that while AI tools like Gemini assisted in coding, a deep understanding of systems is required for a functional result.
Podcasting 2.0 and Roadcaster Pro Hardware
Adam Curry discusses his vision for "Podcasting 2.0," which aims to fix payments and technical issues within the medium. He critiques the Rode Roadcaster Pro for lacking a noise gate on computer inputs and expresses surprise that the company has not sent him free gear despite his early influence on the product's concept.
Adam Curry reviews the new Roadcaster Pro 2 audio interface from Australian manufacturer Rode. He compares it to the original Roadcaster Pro and cheaper alternatives, noting significant improvements in configurability and busing systems. Despite liking the hardware design and the inclusion of Aphex processing like the Big Bottom and Aural Exciter, he expresses difficulty in dialing in the perfect sound profile.
TASCAM Audio Interface Performance and Production Quality
A TASCAM audio interface was discarded after listener feedback indicated it lacked the expected high-quality production sound. Comparisons are made to the MXL 990 microphone, which was noted for having a distracting "comb filter" effect that made it unsuitable for professional use. The technical limitations of the TASCAM and Roadcaster units are criticized, specifically regarding their inability to provide professional control over the audio chain and their tendency to produce a "calming" NPR-style sound rather than an aggressive, engaging tone.
A review of the Tascam MixCast 4 reveals significant engineering flaws despite its sleek form factor. The device lacks a headphone monitor for the final compressed output signal, forcing users to record without hearing their actual levels. Additionally, the eight programmable jingle buttons are restricted to single memory banks when using multi-track recording mode, a limitation compared to the Rodecaster Pro.
A review of new audio equipment features the Audio-Technica M50x headphones and the upcoming Tascam MixCast 4 console. The MixCast 4 is compared favorably to the Roadcaster Pro, specifically for its superior noise gating capabilities on USB and Bluetooth channels. The hosts invite Tascam to send a unit for professional testing and feedback.
A story is shared regarding a failed attempt to secure a Roadcaster Pro from Rode Microphones through a dealer in Australia. Despite claims of having influenced the product's design, the company's marketing department declined the collaboration, leading to a switch to Electro Voice equipment.
The website Podfathergear.com has been launched to document specific audio configurations and hardware settings for podcasters. Technical issues with the Roadcaster are discussed alongside the discovery of a built-in recording feature within the Skype application.
Adam Curry explains the difference between "posted" (post-produced) shows and real-time broadcasting. He estimates that 90% of podcasts are heavily edited in post-production, which he believes removes spontaneity. He advocates for the "live-to-tape" method used by Joe Rogan and the No Agenda show to maintain a human element.
