Topic: Roadcaster Pro

Adam Curry discusses his vision for "Podcasting 2.0," which aims to fix payments and technical issues within the medium. He critiques the Rode Roadcaster Pro for lacking a noise gate on computer inputs and expresses surprise that the company has not sent him free gear despite his early influence on the product's concept.

Adam Curry reviews the new Roadcaster Pro 2 audio interface from Australian manufacturer Rode. He compares it to the original Roadcaster Pro and cheaper alternatives, noting significant improvements in configurability and busing systems. Despite liking the hardware design and the inclusion of Aphex processing like the Big Bottom and Aural Exciter, he expresses difficulty in dialing in the perfect sound profile.

A review of the Tascam MixCast 4 reveals significant engineering flaws despite its sleek form factor. The device lacks a headphone monitor for the final compressed output signal, forcing users to record without hearing their actual levels. Additionally, the eight programmable jingle buttons are restricted to single memory banks when using multi-track recording mode, a limitation compared to the Rodecaster Pro.

A review of new audio equipment features the Audio-Technica M50x headphones and the upcoming Tascam MixCast 4 console. The MixCast 4 is compared favorably to the Roadcaster Pro, specifically for its superior noise gating capabilities on USB and Bluetooth channels. The hosts invite Tascam to send a unit for professional testing and feedback.

A story is shared regarding a failed attempt to secure a Roadcaster Pro from Rode Microphones through a dealer in Australia. Despite claims of having influenced the product's design, the company's marketing department declined the collaboration, leading to a switch to Electro Voice equipment.