Topic: Argo

The hosts review the latest Jason Bourne film, noting its overtly anti-CIA stance. They contrast this with Ben Affleck's film "Argo," which received support from the State Department and credited Huma Abedin. The discussion explores the possibility of different Hollywood factions working for or against various government agencies.

A discussion on the FIFA corruption scandal leads to rumors of a movie production by Ben Affleck. The hosts analyze Affleck's film "Argo" and its ties to the CIA, suggesting that Hollywood productions often serve as intelligence agency operations. They posit that the crackdown on FIFA might be a strategic move to increase the popularity of soccer in the United States.

A theory is proposed that the Benghazi attack was a botched "October Surprise" operation intended to facilitate a heroic rescue of Ambassador Chris Stevens to aid President Obama's re-election. The plan allegedly involved a staged kidnapping that went wrong when local militants turned violent, leading to the deaths of four Americans.

A discussion on the film "Argo" and the perceived influence of the CIA in Hollywood. The hosts suggest that George Clooney and Ben Affleck act as assets for government narratives, noting that "Argo" was released to coincide with the Benghazi crisis. The segment explores the history of Operation Mockingbird and the use of celebrities as influencers.

First Lady Michelle Obama's surprise appearance to present the Best Picture Oscar to "Argo" is analyzed as a propaganda move. The hosts point out that the film, which revises the history of the Iranian hostage crisis, was produced by George Clooney and supported by the State Department. They argue the movie serves to rehabilitate Jimmy Carter's legacy and promote the military-industrial complex.

The hosts discuss the Academy Awards, focusing on "Lincoln" and "Argo." Former President Jimmy Carter criticized "Argo" for giving the CIA credit for a rescue operation that was 90% orchestrated by the Canadian government. Steven Spielberg's "Lincoln" is also scrutinized for its sanitized portrayal of the 16th president.

The decline of the traditional movie theater experience is discussed, citing high costs, poor etiquette, and the convenience of home viewing via screeners or premium cable. Comparisons are made between standard theaters and high-end venues like the Alamo Drafthouse, which enforces strict rules against phone usage. The discussion also touches on the film Argo and its perceived role in shaping public narratives.

The hosts review the nine films nominated for Best Picture, including *Argo*, *Lincoln*, and *Django Unchained*. They criticize the drama of award ceremonies and transition into a discussion about a new film titled *Celebrity*, which explores how mass media and the internet have turned fame into a cultural disease.

Adam Curry critiques the film *Argo*, noting a "special thanks" to Huma Abedin in the credits. He suggests the movie was a State Department psychological operation intended to bolster the Obama administration's image, potentially linking it to the timing of the Benghazi incident.

A listener donation prompts a discussion about the movie "Argo" being used as a propaganda tool released shortly after the Benghazi events. The hosts also touch upon the "Gardasil" HPV vaccine, labeling it a scam pushed by Merck. They argue that medical providers use false positives from defective scanning machines to pressure parents into vaccinating children.

The trailer for the movie "Argo," starring Ben Affleck and produced by George Clooney, is discussed. The film depicts a CIA operation to rescue American hostages in Iran using a fake film crew, which is analyzed as a potential piece of modern propaganda regarding U.S.-Iran relations.