Topic: Dh Unplugged

12 chapters across the catalog

Control Grid
Episode 1770 2:12:20 - 2:18:38

1770: Control Grid

AI Art Entropy, DH Unplugged, Model Collapse

A discussion on the "DH Unplugged" podcast regarding AI-generated art suggested that the technology is experiencing "entropy" or "model collapse" as it ingests its own previous outputs. This phenomenon results in muddier colors, a lack of true whites or blacks, and a general loss of luminosity in generated images. The hosts noted that many "prompt jockeys" are resorting to cartoonish styles to mask these technical deficiencies as the AI models become increasingly repetitive.

EULA for Ukraine
Episode 1744 3:10:37 - 3:21:46

1744: EULA for Ukraine

End of Show Mixes, Jumbo Egg Tip of the Day

John C. Dvorak provides the "Tip of the Day," recommending listeners buy jumbo eggs for better value, despite the "rare" nature of the chickens that lay them. The episode concludes with end-of-show music mixes and a promotion for the *DH Unplugged* podcast. The hosts sign off with their traditional "Adios, mofos" catchphrase.

Old Bag
Episode 1735 3:18:05 - 3:21:51

1735: Old Bag

Outro, Grammys Watch Party and Sign-off

The hosts sign off from Fredericksburg and Silicon Valley, mentioning their plans to watch the Grammys for "satanic messages" and Taylor Swift. They promote the upcoming "DH Unplugged" episode and remind listeners to support the show via noagendadonations.com before closing with their signature "Adios, mofos."

Sweet Seventeen
Episode 1707 3:28:40 - 3:34:23

1707: Sweet Seventeen

Outro and End-of-Show Mix, Episode 1707 Wrap-up

The hosts sign off from the 17th-anniversary episode, teasing upcoming "disgusting" Halloween clips and coverage of the final election stretch. The show concludes with a musical mix featuring themes of climate change, political fascism rhetoric, and the "best podcast in the universe" branding.

Joy Boy
Episode 1691 3:18:43 - 3:23:52

1691: Joy Boy

End of Show Mix, Podcasting 2.0 and Joe Rogan Tribute

The show concludes with a preview of the "DH Unplugged" podcast and a musical tribute to the "Podfather" Adam Curry. The mix features a parody of an Adam Sandler song and a rap about the evolution of Podcasting 2.0, mentioning figures like Joe Rogan, Tim Dillon, and Tim Cook. The hosts sign off with their traditional "adios mofos" catchphrase.

Fat Leonard
Episode 1618 2:19:23 - 2:21:33

1618: Fat Leonard

No Agenda Stream and DH Unplugged Merger Predictions

The hosts discuss the No Agenda live stream and the DH Unplugged podcast. A recent prediction on DH Unplugged regarding a media merger was validated the following day by news of talks between Warner Bros. Discovery and Paramount, showcasing the show's insight into corporate transactions.

Lawful but Awful
Episode 1444 2:49:01 - 2:51:45

1444: Lawful but Awful

ISO Selection, Adam Curry and Horowitz Feud

The hosts select "In Search Of" (ISO) audio clips for future use, focusing on dramatic or humorous soundbites from the episode. They also address a perceived "fake feud" between Adam Curry and John C. Dvorak's co-host on "DH Unplugged," Andrew Horowitz. Curry jokingly claims Horowitz hung up on him during a recent interaction.

200.8 Re-Redux
Episode 850 2:01:54 - 2:05:16

850: 200.8 Re-Redux

Noise Gate Philosophy, Digital Silence and The Abyss Look

The hosts discuss the technical philosophy of using fast-acting noise gates to create "digital silence" when neither host is speaking. Curry explains how he helped fellow podcaster Andrew Horowitz set up a similar system for the DH Unplugged show. Dvorak compares the "dead" audio sound to the "Abyss" visual style used by Charlie Rose, which utilizes black velvet to create a void-like background.

Show 200.7 Redux
Episode 736 1:36:05 - 1:39:30

736: Show 200.7 Redux

Noise Gates, DH Unplugged and the Abyss Look

Curry explains the technical necessity of fast-acting noise gates to eliminate ambient room noise and create a "dead" sound similar to NPR. He mentions helping Andrew Horowitz set up a similar system for the "DH Unplugged" show. Dvorak compares his preferred "abyss" visual style for TV—a black velvet background—to the set of Charlie Rose.