Topic: Listener Producers

10 chapters across the catalog

Hush Up Boy!
Episode 1566 2:16:24 - 2:24:49

1566: Hush Up Boy!

Executive Producer Credits and Donor Thank You

The hosts read the names of Executive and Associate Executive Producers who contributed $200 or more to the show. Donors from Florida, Texas, Alabama, and New York are recognized with personalized jingles and "karma." The segment includes personal notes from listeners regarding birthdays, anniversaries, and their reasons for supporting the program.

Hush Up Boy!
Episode 1566 2:24:49 - 2:31:29

1566: Hush Up Boy!

Associate Producer Credits and Small Donations

A list of donors contributing under $200 is read, including "switcheroo" donations made on behalf of friends and family. The hosts acknowledge the diverse global audience, with contributors from Canada, the UK, and the Czech Republic. Every donation, regardless of size, is credited as part of the show's sustainable funding model.

Big Mike & The Rock
Episode 1551 3:00:50 - 3:07:03

1551: Big Mike & The Rock

Associate Executive Producers, Global Donor Roll

The final donation segment acknowledged "Associate Executive Producers" from across the globe, including donors from the UK, Australia, and the Netherlands. Notable contributors included Sir Bias Grace, Robert Swain, and Gary Blatt. The hosts performed "de-douching" for various listeners and sent "karma" to individuals in cities ranging from Seattle, Washington to Teaneck, New Jersey.

Showly
Episode 1159 1:21:28 - 1:23:53

1159: Showly

International Donations, Currency Conversion Challenges

The hosts manage a series of international donations from New Zealand, Canada, and the Netherlands. They discuss the complexities of converting "ducats" and "shekels" to US dollars and the impact of exchange rates on producer status. Notable contributors include Dodie de Jong and Ian Larson.

Bug Ramen
Episode 1037 2:00:12 - 2:14:05

1037: Bug Ramen

Producer Donations, Value for Value Tally

A long list of producers and executive producers are thanked for their financial contributions to the show. The segment includes a tally of the "37 vs 38" cent votes, with the vast majority of donors choosing 38 cents to keep the show on the air. Notable donors from various locations, including Texas, Florida, and the UK, are recognized for maintaining the show's independent model.

Faschtech
Episode 704 1:03:48 - 1:06:26

704: Faschtech

No Agenda Art and Electronic Smog

The hosts thank "Nick the Rat" and "Martin JZ" for their digital artwork for episode 703, which featured a "douchebag" using an Apple Watch. The art included a subtle reference to "electronic smog," a concept previously discussed on the show regarding the health effects of pervasive wireless signals. The hosts praise the artists for embedding "sub-references" and "side gags" that reward attentive listeners.

Episode 405 1:43:23 - 1:48:08

405: Piles of Pelicans

Birthday Shout-outs, Female Listeners and Sarah Picture

The hosts read birthday greetings for listeners and discuss a marketing pitch aimed at encouraging women to support their husbands' donations to the show. They also mention a photo sent in by a female producer named Sarah, noting the increasing number of women in the audience.

Husslin' for Humanity
Episode 280 26:42 - 35:10

280: Husslin' for Humanity

No Agenda Executive Producer Donations and PR Initiatives

The program acknowledges top-tier donors including Carl Heidel and Andrew Blackburn, who joined the "280 Club" as Executive Producers. Associate Executive Producers Nora Dean Snortastain and David Burnett are also recognized for their financial contributions. Various listener-led PR initiatives are highlighted, such as the acquisition of "No Agenda" related domains and the creation of custom Gitmo Nation hoodies.

Jihad Jane Rides Again
Episode 181 4:12 - 5:41

181: Jihad Jane Rides Again

Podcast Introduction Length, Donation Strategy Discussion

A discussion regarding listener feedback suggests that long introductory segments may negatively impact donation levels. Plans are made to restructure the program by moving executive producer acknowledgments and news teasers earlier in the broadcast. The tension between personal "chatter" and hard news delivery is addressed as a factor in audience engagement.