6 chapters across the catalog
The "Value for Value" funding model is explained, encouraging listeners to return time, talent, or treasure to the show. A discussion on podcast artwork leads to a story about licensing the Alfred E. Neuman character from Mad Magazine for a 1980s Macintosh guide. The hosts recall that Mad Magazine was surprisingly willing to grant the license for free, provided they were asked, as few people bothered to seek formal permission.
Artist Joshua Pettigrew sends a donation and a note explaining his recent absence from the show's art submissions. Pettigrew was responsible for the popular Pete Buttigieg "Alfred E. Neuman" artwork. Another listener, Mark J, recalls discovering the show through John C. Dvorak's mentions on TWiT and notes his immediate connection to the show's media deconstruction.
No Agenda Art, Pete Buttigieg as Alfred E. Neuman
The artwork for episode 1220, created by Joshua Pettigrew, depicts Pete Buttigieg as the Mad Magazine character Alfred E. Neuman. The hosts praised the piece as a "tour de force" and encouraged other podcasters to change their album art for every episode to increase engagement. The No Agenda Art Generator continues to serve as a hub for community-contributed digital art.
Mad Magazine announced it will cease publication after 67 years. The satirical publication, famous for its mascot Alfred E. Neuman and the "fold-in" back cover, influenced generations of readers but saw a significant decline in circulation in the digital age.
No Agenda Episode 1137 Artwork and Pete Buttigieg Imagery
The hosts credit NickTheRat for the Mother's Day artwork and discuss a high-quality Photoshop by Joshua Pettigrew. The image depicts Pete Buttigieg as Alfred E. Neuman from Mad Magazine. They praise the technical skill involved in the manipulation and note its use in the show's newsletter.
Show Artwork Analysis, Spy Slut and Alfred E. Neuman
The hosts review the artwork for episode 1136, titled "Spy Slut," created by Darren O'Neill. They discuss the internal rules for selecting show titles and art, ensuring they do not overlap in subject matter. The segment includes a critique of various submitted pieces, including a depiction of Pete Buttigieg as Alfred E. Neuman, and the importance of the "opening giblet" in show promotion.
