4 chapters across the catalog
The hosts explore a potential "clue" involving the band Eagles of Death Metal, who were performing during the Paris Bataclan attack. The band has a song titled "San Bernardino Sunburn," which mentions San Bernardino, Amarillo, and Dallas. The hosts discuss this in the context of "predictive programming" and the New World Order leaving markers in popular culture.
Symbols of the Bataclan and American Band Presence
Reporter Laura Haim suggests that the presence of an American band, Eagles of Death Metal, at the Bataclan theater was a deliberate symbol targeted by terrorists. The hosts examine the proximity of the theater to the former Charlie Hebdo offices, questioning whether these "symbols" are genuine tactical choices or post-event media constructs designed to heighten the sense of a "clash of civilizations."
Reports from the Times of Israel indicate that the Bataclan theater had been Jewish-owned for decades and was a frequent target of anti-Zionist groups. Although the venue was reportedly sold two months prior to the attack, the hosts discuss whether the terrorists were aware of the ownership change or if the theater's history of hosting pro-Israel events made it a long-standing target.
Jesse Hughes and the Sonny Bono Assassination Theory
Adam Curry shares an anecdote about a producer meeting Jesse Hughes of the band Eagles of Death Metal. Hughes is reportedly a fan of No Agenda and discussed the theory that Sonny Bono was assassinated. The hosts briefly touch upon the suspicious circumstances of Bono's skiing accident and the lack of investigation since the Clintons returned to power.
