3 chapters across the catalog
NPR reports on the "existential crisis" facing Broadway, leading to scripts being rewritten for "racial justice." The Book of Mormon, created by the South Park team, underwent a two-week workshop to change lines that cast members felt were racist. The hosts critique the trend of altering established works to fit modern "woke" sensibilities, questioning if the original creators truly support these changes.
John C. Dvorak describes his family's strategy for attending Broadway musicals using "rush tickets" to avoid the standard $250 seat prices. He explains that shows like The Book of Mormon become accessible for $30 if patrons wait until the original cast has moved on. The discussion covers the mechanics of the box office rush, the quality of the seating, and the history of understudies becoming stars.
Book of Mormon Musical, Broadway and New York Atmosphere
A visit to the Neil Simon Theatre to see the musical "Book of Mormon" is recounted, noting that tickets became available due to poor weather conditions. The production is praised for its humor and songwriting. Observations of the New York City streets during the cold snap include the freezing of waste and the reduction of typical city odors.
