07:55 So any idea where we should go? I'm going to look around and see what's going on. Maybe there's something new and trendy. I'll check it out. Alright, our first comment John is 23 seconds long and very important to play at the top of the show. Hey Adam, RE the latest no agenda. I gotta agree with Dvorak on the latest television offerings, especially here in the US. It's all crap. Regardless of how successful some people might be making the crap, it's still crap. Give me something cultural, give me something current events, give me something dramatic and interesting. Dvorak wins. Sorry.
08:34 That's right, you were supposed to come on this week and defend yourself. Yeah, my rebuttal, my rebuttal. Well, first of all, there's a couple important things that people have to realize about this program because I went back and listened to it and kind of listened how I ground myself into the ground, you know, like in third gear. You have to understand that this show is typically we we record it on Saturday And so for me right now, it's 530. It's the end of the day You know, I've I've been dinking around about doing stuff You know and for you you just got up so there's I think that's a big part of what makes this show work is that?
09:13 I'm in a different frame of mind than you are. For some reason, I think that makes a difference. Could be. I think that's part of why I just collapsed. I just didn't have... Oh crap. I don't know what to do now. Well actually, I thought about it afterwards and came to the following conclusion. You had warmed up to the entire idea of a junk television program because your wife is working on a junk TV show in the Netherlands, which is one of those reality shows where she's a judge, which has got to be a great job. And you just, because it's like money in your pocket, being a company man, as it were, you just basically sold out and were proud of it without thinking. That's my, in other words, if I was like working for Standard Oil and I just got a huge raise and then something about oil companies come up and it turns out that they're under indictment or something, I would probably be defending them to no end.
10:11 And I think it's just a just a nature of things that that's my theory, okay I don't think you're correct if anything my work my wife working on that show Reinforced my thinking now. I went back and understand that I didn't say I liked reality television What I said was I really liked television where there's an element of human truthfulness to it that is, I didn't say it in exactly these words, but we were talking about a certain type of reality programming. And so let me expand on that. By the way, deal or no deal is the one that came to the top of the foam there. Well, no, deal or no, you brought up deal or no deal, and that is not one of the shows that I like. But you said you did. Yeah, I was wrong. Because I had time to think about it.
11:02 And seriously, listen to me for a second. First of all, television, John, and you've made a lot of TV. I think I probably in hours end to end have made more than you have. Particularly the MTV days. It is in its basis, television is an untruthful media. Okay, it everything particularly when we started to get editing and digital video editing There's almost no truth to anything. It's all pre-programmed. It's all thought about I mean MTV for Christ's sakes invented the jump cut which was you know for Bolton? Literally until until that started happening in in the early 80s
11:42 Because every technical move, every zoom, every cut from an interior to an exterior, just like a movie, right? It's untruthful, even the news. It's put together. So the only types of television programming that actually deliver some truth are usually live programming, which you don't have a lot of, but like sports, sports is a great example. There's not much you can do with the switching of the cameras and they have tons of cameras on these types of games. There's not a lot you can do that will change what's really happening. You know, you kind of see it, you may not see it from the best possible angle, but you can see if the ball went in the goal or if it got, you know, or if there was a strike or whatever it is. It's an end-to-end sequence that all runs in parallel and that's pretty truthful
12:36 portrayal of what's happening, what you're watching, it's truthful. It's more truthful than anything else, let's put it that way. So the only thing that's... and I've made so much television, all of it's been full of shit. All of it. It's all meant to trick you into liking an entertainment-based product. Now, enter reality television, which turned this up 50 fold, maybe 5,000 times. And if you look at programs like Holland's Got Talent, and I was there at some of the tapings, and when I look at the playback of the show, when I see how it's been put together, it is completely, every single bit of it has been moved around, pieces pulled in, slow motion, dramatic music.
13:25 Even some of the answers, although the outcome didn't change of what the judges said about an act. They cut a different answer into one act that was used for a different act. All of this is complete bullshit. In fact, I'm convinced, and I've done this, I can take a tape, one of your home movies, you just send a random home movie to me. I'm getting there. I'm getting there. Let me just go all the way to the end. So I could take your home movies and with editing, sound effects, music, and voiceover, I can create a fantastic show. It could be dramatic, it could be funny, whatever.
14:02 Here's what I like about particularly these contests. I'm talking about X-Factor, Idol, Got Talent, and there's a couple other examples. Is the one thing that television cannot fake, can provoke but cannot fake, is extreme human emotion of joy or sorrow. And that's what these shows are built around. They're built around with pure honesty. So you have a judge who will say something completely honestly, the judge is not making up what they feel at that moment, and it will either make you extremely happy or destroy you. And that one little
14:41 Moment that one piece of human emotion the best of course is in the finals when you have a winner and a loser but just like sports when when a guy scores a goal that human emotion is is Something that you cannot make up with television, and that's the part that really I love I will sit down and watch an entire show just to get the kick of seeing that and you have to say unfortunately Usually when someone's extremely sad or getting cut down is when I like it the most and that's what I like about this Well, you know, I mean, you might as well just go to the grocery store and step on someone's foot and see what happens. Oh man, I thought a whole week and that's what I get from you. Thanks. So, you know, this show, the thing that I wanted to interrupt you for, which wouldn't have really changed your train of thought, which I, you know, okay, fine.
15:31 I'm not gonna argue about it. I think that one of the things is they choose people because they've been doing on game shows for years that are you know they test people to make sure they are emotional. They jump up and down and you know these contestants and they won't take somebody who's nonplussed. or who's just not going to go, woo, or anything like that. And so there's a certain rigging involved there too, which I think is deplorable. But not in the talent contest genre, not entirely. They don't know that. The way they do on game shows. That's different. Okay, fine. I'll accept that. But anyway, the one thing I wanted to mention which when you were talking about how a lot of this was, you know, they change these certain, they'll edit stuff around so it's not what really happened, is my favorite, absolute favorite thing which is always
16:18 I don't understand how the other... To be honest about it, when I see it, I just get seriously annoyed. You have a live performance of some sort, or even one of these idol shows, or a comic, and they show somebody doing something, and then the guy says something funny, and they cut immediately to an audience member who is dying of laughter. Oh, that's all fake. That's all fake. It's all from different audience shots. Yeah, they take a bunch of random audience shots and then they cut them in later because there's no way you could have... What kind of coincidence are we talking about here? John, John, that's just the visual version of the laugh track which is still used every single day. It's just a visual version of it, nothing new. That's digital video editing gave us that.
17:02 And the other thing I wanted to say is that all these kind of talent shows, really, I never heard any of them ever give a nod to the original. There's actually, it goes back to radio, a Ted Max amateur hour. And then there was the amateur hour show on television. Man, my parents used to talk about that. They would say, that's really amateur hour, is what they would say. Right, which is what all these shows are. And I mean, they're all dependent on that model from some years ago. And then, of course, the one that mocked it the best, and I still think one of the greatest shows of this genre was The Gong Show, which actually had the same crackpot talent.
17:44 But they had this gong element where you could gong the person. By the way, that's the same in Holland's Got Talent. Each judge has a big red button in front of them and when they hit it, then it doesn't do a gong but it gives them an explosion type shot sound and then when all three hit it, then the act has to stop. So it's essentially the same concept. So anyway, I find these shows to be rather... I'm having more trouble watching television now than ever because... Oh, but John, I don't watch television either. I mean, I'm not a big television watcher, but when I do watch, I have to tell you, I really, really love it. And other stuff, I can get online. The documentary stuff, I'll get the good ones from you. I don't have to sit through all the other crap. Oh, it reminds me, I gotta get a couple more for you.